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Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Arpita GhosalApril 28, 2026Dance & Musical Theatre

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Scott SneddonApril 28, 2026Theatre

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Discover More Posts

Review: Transcendent “Salesman in China” closes the sale brilliantly

Review: Transcendent “Salesman in China” closes the sale brilliantly

Scott SneddonSeptember 5, 2024Theatre

There’s something for everyone at the 2024 Toronto Fringe Festival

There’s something for everyone at the 2024 Toronto Fringe Festival

Arpita Ghosal and Scott SneddonJuly 13, 2024Theatre

Big Stuff at Crow’s Theatre: Matt Baram and Naomi Sniekus dig deep, with laughs along the way

Big Stuff at Crow’s Theatre: Matt Baram and Naomi Sniekus dig deep, with laughs along the way

Arpita GhosalNovember 8, 2024Theatre

Indigenous footprints on nature’s path: Louise Zimanyi discusses co-authoring the arresting new picture book “Walking Together”

Indigenous footprints on nature’s path: Louise Zimanyi discusses co-authoring the arresting new picture book “Walking Together”

Arpita GhosalJuly 26, 2023Screen & Words

Sienna Tristen and Avi Silver: Creators and explorers of a boundless literary universe

Sienna Tristen and Avi Silver: Creators and explorers of a boundless literary universe

Arpita GhosalJune 25, 2023Screen & Words

The Obsidiana Duo presents the traditional melodies and rhythms of Ibero America in “The Folk Within Us”

The Obsidiana Duo presents the traditional melodies and rhythms of Ibero America in “The Folk Within Us”

Arpita GhosalJune 8, 2023Music & Opera

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ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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