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Review: “Searching for Aimai” meditates on the inheritance of loss

Review: “Searching for Aimai” meditates on the inheritance of loss

Arpita GhosalFebruary 27, 2026Theatre

Review: “People of the City” come to laugh-filled life before our eyes

Review: “People of the City” come to laugh-filled life before our eyes

Scott SneddonFebruary 27, 2026Comedy & Improv

The remarkable balm of interoception: Maryna Kaminska’s “Inner Garden.”

The remarkable balm of interoception: Maryna Kaminska’s “Inner Garden.”

Alejandra JimenezFebruary 25, 2026Art

Send in the clowns: “Hansal & Geetal” invite you to share their jokes at TOsketchfest

Send in the clowns: “Hansal & Geetal” invite you to share their jokes at TOsketchfest

Guest PostFebruary 24, 2026Comedy & Improv

Review: YOU’ll love “Love You Forever and More Munsch”

Review: YOU’ll love “Love You Forever and More Munsch”

Scott SneddonFebruary 24, 2026Theatre

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

TOsketchfest’s Cody Sullivan invites YOU to the important insanity of a “Town Meeting”

Guest PostFebruary 18, 2026Comedy & Improv

Review: A smouldering “Summer and Smoke” sparks the imagination

Review: A smouldering “Summer and Smoke” sparks the imagination

Scott SneddonFebruary 17, 2026Theatre

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Discover More Posts

Szivi Quartet + 1 killer program = “5 at the First”

Szivi Quartet + 1 killer program = “5 at the First”

Arpita GhosalApril 22, 2024Music & Opera

Review: a riveting, daring spectacle, “Cabaret” wows in Horrorshow’s no-holds-barred debut

Review: a riveting, daring spectacle, “Cabaret” wows in Horrorshow’s no-holds-barred debut

Arpita GhosalDecember 6, 2024Dance & Musical Theatre

Review: “SAMCA” is a haunting exploration of womanhood, motherhood and mythology

Review: “SAMCA” is a haunting exploration of womanhood, motherhood and mythology

Arpita GhosalSeptember 30, 2024Theatre

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Sizwe Banzi is Dead . . . yet SO alive on the Soulpepper stage

Scott SneddonJune 9, 2023Theatre

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Mime and “Metamorphoses 2023”: Director Michele Smith breaks down Theatre Smith-Gilmour’s bold new Ovid adaptation

Arpita GhosalMarch 25, 2023Theatre

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Arpita GhosalOctober 26, 2023Music & Opera

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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