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Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”

Hafsa HoosaneyApril 14, 2026Theatre

Sandra Lalonde’s “She Holds Up the Stars” soars big

Sandra Lalonde’s “She Holds Up the Stars” soars big

Arpita GhosalApril 12, 2026Music & Opera

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

Arpita GhosalApril 9, 2026Music & Opera

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Arpita GhosalApril 3, 2026Theatre

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Scott SneddonMarch 26, 2026Theatre

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

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Review: Shaw Festival’s “Dear Liar” is a compelling dance of ego and imagination

Review: Shaw Festival’s “Dear Liar” is a compelling dance of ego and imagination

Scott SneddonJune 12, 2025Theatre

A Newark Airport prayer shaped a new contemporary dance performance

A Newark Airport prayer shaped a new contemporary dance performance

Guest ContributorSeptember 8, 2024Dance & Musical Theatre

With new album “soft winds and roses”, Diana Panton is crafting new stories in jazz

With new album “soft winds and roses”, Diana Panton is crafting new stories in jazz

Arpita GhosalNovember 21, 2024Music & Opera

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

Scott SneddonMay 14, 2023Theatre

Bone Cage won’t let go – even after you depart the Assembly Theatre

Bone Cage won’t let go – even after you depart the Assembly Theatre

Arpita GhosalMay 14, 2023Theatre

Marcus Nance breathes new life into The Creature in “Frankenstein Revived”

Marcus Nance breathes new life into The Creature in “Frankenstein Revived”

Arpita GhosalSeptember 17, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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