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Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

A new Fringe-style dance festival is delectable “Ripe Fruit”

A new Fringe-style dance festival is delectable “Ripe Fruit”

Arpita GhosalFebruary 3, 2026Dance & Musical Theatre

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Arpita GhosalFebruary 1, 2026Theatre

Niagara’s Edward Burtynsky comes full circle at “Art in Action”

Niagara’s Edward Burtynsky comes full circle at “Art in Action”

Scott SneddonJanuary 28, 2026Art

Austin Eckert on love, war and ambiguity in “Troilus and Cressida”

Austin Eckert on love, war and ambiguity in “Troilus and Cressida”

Arpita GhosalJanuary 27, 2026Theatre

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Review: Canadian Stage’s “A Doll’s House” is taut, claustrophobic and urgent

Arpita GhosalJanuary 26, 2026Theatre

Review: In the “Dead of Winter,” it’s a chilling new horror theatre festival

Review: In the “Dead of Winter,” it’s a chilling new horror theatre festival

Scott SneddonJanuary 25, 2026Theatre

Review: Fearless and remarkable, “Pu Songling” overdelivers on the promise of “Strange Tales”

Review: Fearless and remarkable, “Pu Songling” overdelivers on the promise of “Strange Tales”

Scott SneddonJanuary 20, 2026Theatre

Karina Zhou has a new book: “Eddy’s Shadow Puppets”

Karina Zhou has a new book: “Eddy’s Shadow Puppets”

Arpita GhosalJanuary 14, 2026Screen & Words

Inside “Company”: Krystin Pellerin on love, intensity, and Sondheim

Inside “Company”: Krystin Pellerin on love, intensity, and Sondheim

Arpita GhosalJanuary 12, 2026Dance & Musical Theatre

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Review: The Renaissance of “Bachelor Man” at Tarragon Theatre

Review: The Renaissance of “Bachelor Man” at Tarragon Theatre

Arpita GhosalSeptember 9, 2025Theatre

Review: Startling “Public Consumption” is Octet’s sleazy little sibling

Review: Startling “Public Consumption” is Octet’s sleazy little sibling

Scott SneddonDecember 1, 2025Theatre

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Arpita GhosalJanuary 31, 2025Music & Opera

Piercing the Prophecy Fog, Jani Lauzon shows us profound clarity and connection

Piercing the Prophecy Fog, Jani Lauzon shows us profound clarity and connection

Scott SneddonNovember 18, 2023Theatre

Let’s get Liminal: Throwdown Collective in conversation with SesayArts

Let’s get Liminal: Throwdown Collective in conversation with SesayArts

Arpita GhosalJanuary 31, 2023Dance & Musical Theatre

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Craving Creativity and Building Balance: Janet McMordie’s Journey from Medicine to Acting

Arpita GhosalJune 24, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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