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In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Scott SneddonAugust 22, 2026Theatre

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Arpita GhosalAugust 21, 2026Theatre

In 4 great new plays at MAGDEN Theatre Festival, the producing is the star

In 4 great new plays at MAGDEN Theatre Festival, the producing is the star

Arpita GhosalAugust 20, 2026Theatre

Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell

Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell

Scott SneddonAugust 19, 2026Theatre

“Who’s Gonna Push Your Wheelchair?” Karin Fekko’s answer is funny and authentic

“Who’s Gonna Push Your Wheelchair?” Karin Fekko’s answer is funny and authentic

Arpita GhosalAugust 18, 2026Comedy & Improv

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Review: Inventive “Dead Broke” doesn’t cheap out on the chills

Review: Inventive “Dead Broke” doesn’t cheap out on the chills

Scott SneddonNovember 4, 2024Theatre

“The Moon Prince”: Kevin Mutch on the life experience and imagination powering his soaring epic

“The Moon Prince”: Kevin Mutch on the life experience and imagination powering his soaring epic

Scott SneddonJanuary 1, 2026Screen & Words

13 years later, Cliff Cardinal’s “Huff” still blows the house down

13 years later, Cliff Cardinal’s “Huff” still blows the house down

Arpita GhosalApril 28, 2024Theatre

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

SayakJanuary 7, 2023Screen & Words

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Emilia VoudourisSeptember 3, 2023Dance & Musical Theatre

Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”

Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”

Arpita GhosalOctober 6, 2023Theatre

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Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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