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Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Review: Award-winning “All My Sons” production shines in remarkable film

Review: Award-winning “All My Sons” production shines in remarkable film

Paria AzarmehanApril 19, 2026Screen & Words

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations

Scott SneddonApril 16, 2026Theatre

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”

Arpita GhosalApril 15, 2026Theatre

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Jael Richardson: 10 years of celebrating diverse storytellers at FOLD

Jael Richardson: 10 years of celebrating diverse storytellers at FOLD

Arpita GhosalApril 26, 2025Screen & Words

Review: Sweet “Charlie and the Chocolate Factory” makes imagination soar

Review: Sweet “Charlie and the Chocolate Factory” makes imagination soar

Scott SneddonDecember 7, 2024Dance & Musical Theatre

Louise Noguchi brings Japanese Canadian History to Nuit Blanche in new exhibition

Louise Noguchi brings Japanese Canadian History to Nuit Blanche in new exhibition

Arpita GhosalOctober 2, 2025Art

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Arpita GhosalAugust 22, 2023Dance & Musical Theatre

Inside the Howland Company’s PRODIGAL: Shauna Thompson in conversation with SesayArts

Inside the Howland Company’s PRODIGAL: Shauna Thompson in conversation with SesayArts

Arpita GhosalMarch 4, 2023Theatre

Bass-baritone Alex Halliday is a rising star of Canadian opera

Bass-baritone Alex Halliday is a rising star of Canadian opera

Arpita GhosalMay 6, 2023Music & Opera

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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