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Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

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Review: The Welkin’s 12 angry women … and one brutal truth

Review: The Welkin’s 12 angry women … and one brutal truth

Scott SneddonSeptember 20, 2025Theatre

Review: “Goblin: Oedipus” is a silly, shrewd, timely theatrical masterclass

Review: “Goblin: Oedipus” is a silly, shrewd, timely theatrical masterclass

Scott SneddonOctober 23, 2025Theatre

“Mahabharata” and “A Strange Loop” lead 2025 Toronto Theatre Critics Awards

“Mahabharata” and “A Strange Loop” lead 2025 Toronto Theatre Critics Awards

Arpita GhosalMay 9, 2025Theatre

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

Arpita GhosalFebruary 12, 2023Music & Opera

Astrid Van Wieren takes the stage in world premiere of “Inge(new) – In search of a musical”

Astrid Van Wieren takes the stage in world premiere of “Inge(new) – In search of a musical”

Arpita GhosalMay 24, 2023Theatre

Capitol Theatre’s Jack: A Beanstalk Panto offers inspired silliness that’s naughty . . . or nice

Capitol Theatre’s Jack: A Beanstalk Panto offers inspired silliness that’s naughty . . . or nice

Arpita GhosalDecember 6, 2023Comedy & Improv

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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