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Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Scott SneddonAugust 22, 2026Theatre

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Arpita GhosalAugust 21, 2026Theatre

Discover More Posts

Review: “Octet” is a beautiful, devastating rebuke of us all

Review: “Octet” is a beautiful, devastating rebuke of us all

Scott SneddonOctober 9, 2025Dance & Musical Theatre

Sarah Everett’s new novel The Probability of Everything is 100% engrossing and 100% unforgettable

Sarah Everett’s new novel The Probability of Everything is 100% engrossing and 100% unforgettable

Arpita GhosalJanuary 26, 2024Screen & Words

Claire Ross Dunn’s 15-Year journey to write “At Last Count”

Claire Ross Dunn’s 15-Year journey to write “At Last Count”

Emilia VoudourisMarch 29, 2024Screen & Words

Connection, mastery and flow: Johanna Prize-winning choreographer Natasha Powell discusses her art and origins

Connection, mastery and flow: Johanna Prize-winning choreographer Natasha Powell discusses her art and origins

Emilia VoudourisDecember 3, 2023Dance & Musical Theatre

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Arpita GhosalNovember 4, 2023Theatre

In Emily Pohl-Weary’s new YA mystery “How to be Found”, a Toronto teen risks all for her chosen family

In Emily Pohl-Weary’s new YA mystery “How to be Found”, a Toronto teen risks all for her chosen family

Arpita GhosalOctober 2, 2023Screen & Words

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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