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Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Arpita GhosalMarch 12, 2026Dance & Musical Theatre

The Things We Learned From Telling Tita Jokes

The Things We Learned From Telling Tita Jokes

Guest PostMarch 11, 2026Comedy & Improv

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Arpita GhosalMarch 10, 2026Theatre

Review of “The Herald”: You can only “know by going”

Review of “The Herald”: You can only “know by going”

Scott SneddonMarch 10, 2026Theatre

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Arpita GhosalMarch 9, 2026Theatre

“Lumière: The Art of Light” – Free, Fascinating, and Family Friendly

“Lumière: The Art of Light” – Free, Fascinating, and Family Friendly

Arlene San AgustinMarch 6, 2026Art

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Multi-instrumentalist Andrew Penner brings unique interpretations to “UnCovered: U2 and The Rolling Stones

Multi-instrumentalist Andrew Penner brings unique interpretations to “UnCovered: U2 and The Rolling Stones

Arpita GhosalOctober 18, 2024Music & Opera

Review: “FLEX”s amazing ensemble, killer set deliver nothing but net

Review: “FLEX”s amazing ensemble, killer set deliver nothing but net

Scott SneddonMay 3, 2025Theatre

Claire Ross Dunn’s 15-Year journey to write “At Last Count”

Claire Ross Dunn’s 15-Year journey to write “At Last Count”

Emilia VoudourisMarch 29, 2024Screen & Words

Sienna Tristen and Avi Silver: Creators and explorers of a boundless literary universe

Sienna Tristen and Avi Silver: Creators and explorers of a boundless literary universe

Arpita GhosalJune 25, 2023Screen & Words

Bone Cage won’t let go – even after you depart the Assembly Theatre

Bone Cage won’t let go – even after you depart the Assembly Theatre

Arpita GhosalMay 14, 2023Theatre

Capitol Theatre’s Jack: A Beanstalk Panto offers inspired silliness that’s naughty . . . or nice

Capitol Theatre’s Jack: A Beanstalk Panto offers inspired silliness that’s naughty . . . or nice

Arpita GhosalDecember 6, 2023Comedy & Improv

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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