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“12 Litres 8800 Steps” – Interdisciplinary Creation: Where Does One Start?

“12 Litres 8800 Steps” – Interdisciplinary Creation: Where Does One Start?

Guest PostApril 30, 2026Theatre

Lindo Forbes brings “The Inscrutable Mr. Yang” to The FOLD

Lindo Forbes brings “The Inscrutable Mr. Yang” to The FOLD

Arpita GhosalApril 30, 2026Screen & Words

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Natasha Powell invites the Coltrane-curious to “The Room Upstairs”

Arpita GhosalApril 28, 2026Dance & Musical Theatre

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Review: Brilliant and gimmicky by design, it’s “Dance Nation”

Scott SneddonApril 28, 2026Theatre

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Review: “Knife’s” timely, vulnerable take on male friendship cuts deep

Scott SneddonApril 24, 2026Theatre

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Review: “Bonnes Bonnes” is an emotionally charged and spicy reckoning with Asian identity

Paria AzarmehanApril 24, 2026Theatre

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”

Arpita GhosalApril 23, 2026Dance & Musical Theatre

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel

Scott SneddonApril 21, 2026Theatre

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”

Arpita GhosalApril 21, 2026Theatre

Review: “Boys with Cars” dances its still-devastating dual truths

Review: “Boys with Cars” dances its still-devastating dual truths

Scott SneddonApril 20, 2026Theatre

Discover More Posts

Review: Painful “Romeo Pimp” is an urgent call to action

Review: Painful “Romeo Pimp” is an urgent call to action

Arpita GhosalSeptember 24, 2025Theatre

Crossroads Theatre’s Summer in the Park festival is back, bigger than ever – and still free

Crossroads Theatre’s Summer in the Park festival is back, bigger than ever – and still free

Arpita GhosalAugust 20, 2025Theatre

“Dancing on the edge of the cliff of life”: Dan Mousseau finds Mercutio in Romeo & Juliet

“Dancing on the edge of the cliff of life”: Dan Mousseau finds Mercutio in Romeo & Juliet

Arpita GhosalJuly 17, 2025Theatre

“The Ballad of Stompin’ Tom” – you’ll be singing all the way back home

“The Ballad of Stompin’ Tom” – you’ll be singing all the way back home

Scott SneddonJune 17, 2023Dance & Musical Theatre

Sarah Hillier: Unearthing Laughter in the Supernatural Realm

Sarah Hillier: Unearthing Laughter in the Supernatural Realm

Arpita GhosalOctober 29, 2023Comedy & Improv

Stage Centre Productions’ CAMILLE takes on the man’s world of 19th-century Paris

Stage Centre Productions’ CAMILLE takes on the man’s world of 19th-century Paris

Arpita GhosalMarch 27, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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