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Review: A smouldering “Summer and Smoke” sparks the imagination

Review: A smouldering “Summer and Smoke” sparks the imagination

Scott SneddonFebruary 17, 2026Theatre

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Ghazal Azarbad on the “transformative experience” of Imago Theatre’s “CRASH”

Arpita GhosalFebruary 16, 2026Theatre

Review: “Eureka Day” prods us with the truth about consensus

Review: “Eureka Day” prods us with the truth about consensus

Arpita GhosalFebruary 15, 2026Theatre

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Scott SneddonFebruary 10, 2026Theatre

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Scott SneddonFebruary 8, 2026Theatre

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

A new Fringe-style dance festival is delectable “Ripe Fruit”

A new Fringe-style dance festival is delectable “Ripe Fruit”

Arpita GhosalFebruary 3, 2026Dance & Musical Theatre

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Review: King Black Box’s “Bug” is a squirming, haunting triumph

Review: King Black Box’s “Bug” is a squirming, haunting triumph

Arpita GhosalDecember 10, 2025Theatre

Anita Majumdar on navigating friendship, the complexities of midlife and Toronto living in Rosa Laborde’s new play “Interior Design”

Anita Majumdar on navigating friendship, the complexities of midlife and Toronto living in Rosa Laborde’s new play “Interior Design”

Arpita GhosalOctober 25, 2024Theatre

Aga Khan Museum: 10 years new… and not what you think it is!

Aga Khan Museum: 10 years new… and not what you think it is!

Scott SneddonJanuary 6, 2025Art

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

New York Times bestselling author, S.K. Ali: In conversation with Sayak S-G of SesayArts

SayakJanuary 7, 2023Screen & Words

New year? New graphic novels to engross, enlighten and entertain young readers

New year? New graphic novels to engross, enlighten and entertain young readers

Scott SneddonJanuary 14, 2023Screen & Words

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

David Mesiha unpacks the immersive and playful “Same Difference” with SesayArts

Arpita GhosalFebruary 12, 2023Music & Opera

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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