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Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Discover More Posts

Can “Tyson’s Song” inspire new “conversations amongst Black men”?

Can “Tyson’s Song” inspire new “conversations amongst Black men”?

Arpita GhosalApril 26, 2024Theatre

Review: Soulpepper’s delightful “Alligator Pie” revels in creativity and imagination

Review: Soulpepper’s delightful “Alligator Pie” revels in creativity and imagination

Arpita GhosalDecember 17, 2024Theatre

From Bonds to Bouffants: How I swapped the city for the cabaret stage

From Bonds to Bouffants: How I swapped the city for the cabaret stage

Guest PostJuly 8, 2025Comedy & Improv

S.E. Grummett discusses the absurd, accessible “one-two punch” of their award-winning show “Something in the Water”

S.E. Grummett discusses the absurd, accessible “one-two punch” of their award-winning show “Something in the Water”

Arpita GhosalOctober 21, 2023Comedy & Improv

Yippie-Ki-Yay, laugh-lover! Comedy Bar’s 101 Holiday Movie Moments is a Christmas miracle

Yippie-Ki-Yay, laugh-lover! Comedy Bar’s 101 Holiday Movie Moments is a Christmas miracle

Scott SneddonDecember 20, 2023Comedy & Improv

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Oshini Wanigasekera’s “Brown People Can’t Be Ballerinas” is set to challenge presumptions

Arpita GhosalAugust 22, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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