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Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Review: “Copperbelt” mines family dysfunction and corporate predation for a powerful new story

Scott SneddonFebruary 14, 2026Theatre

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Maev Beaty and Liisa Repo-Martell bring their sisterly bond to Erin Shields’ new play, “You, Always”

Arpita GhosalFebruary 12, 2026Theatre

Anusree Roy’s shattering new play “Through the Eyes of God”

Anusree Roy’s shattering new play “Through the Eyes of God”

Arpita GhosalFebruary 11, 2026Theatre

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Review: Soulpepper’s “Witch” is a weird, wondrous masterpiece

Scott SneddonFebruary 10, 2026Theatre

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Review: This frog fable protects secrets of the jaw-dropping “White Rabbit, Red Rabbit”

Scott SneddonFebruary 8, 2026Theatre

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Ariana Maubach makes mainstage debut in COC’s “The Barber of Seville”

Arpita GhosalFebruary 7, 2026Music & Opera

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Review: Immigration is not an event. It’s an ongoing negotiation in Alumnae Theatre’s “New”

Arpita GhosalFebruary 4, 2026Theatre

A new Fringe-style dance festival is delectable “Ripe Fruit”

A new Fringe-style dance festival is delectable “Ripe Fruit”

Arpita GhosalFebruary 3, 2026Dance & Musical Theatre

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Review: Lisa Nasson’s debut play “Mischief” is a layered exploration of family, history and grief

Arpita GhosalFebruary 1, 2026Theatre

Niagara’s Edward Burtynsky comes full circle at “Art in Action”

Niagara’s Edward Burtynsky comes full circle at “Art in Action”

Scott SneddonJanuary 28, 2026Art

Austin Eckert on love, war and ambiguity in “Troilus and Cressida”

Austin Eckert on love, war and ambiguity in “Troilus and Cressida”

Arpita GhosalJanuary 27, 2026Theatre

Discover More Posts

“The Moon Prince”: Kevin Mutch on the life experience and imagination powering his soaring epic

“The Moon Prince”: Kevin Mutch on the life experience and imagination powering his soaring epic

Scott SneddonJanuary 1, 2026Screen & Words

Rakhee Morzaria & Hannan Younis: Brains, wit, and absurdity unite in “I’m with Stewwwww pit”

Rakhee Morzaria & Hannan Younis: Brains, wit, and absurdity unite in “I’m with Stewwwww pit”

Arpita GhosalOctober 24, 2024Comedy & Improv

Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre

Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre

Scott SneddonOctober 7, 2024Theatre

The rest is history: OAG Guest Curator Yanaminah Thullah looks back on We Do Not Dream of Labour

The rest is history: OAG Guest Curator Yanaminah Thullah looks back on We Do Not Dream of Labour

Olivia DeSouzaOctober 11, 2023Art

Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight

Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight

Scott SneddonJune 13, 2023Theatre

Trailblazing dancer-choreographer Louise Lecavalier brings Stations to Toronto’s Harbourfront Centre

Trailblazing dancer-choreographer Louise Lecavalier brings Stations to Toronto’s Harbourfront Centre

Arpita GhosalNovember 19, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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