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Too good to be lost: Pamela Smith Hill on Laura Ingalls Wilder’s complicated legacy — and why it still matters

Too good to be lost: Pamela Smith Hill on Laura Ingalls Wilder’s complicated legacy — and why it still matters

Arpita GhosalJuly 9, 2026Screen & Words

AP Bautista on finding home in Crossroads Theatre’s new production of “Through the Bamboo”

AP Bautista on finding home in Crossroads Theatre’s new production of “Through the Bamboo”

Arpita GhosalJuly 9, 2026Theatre

Toronto Fringe 2026 Picks: Shows for the old, young and young at heart

Toronto Fringe 2026 Picks: Shows for the old, young and young at heart

Arpita GhosalJuly 7, 2026Theatre

Toronto Fringe 2026 Picks: Artists who make us laugh

Toronto Fringe 2026 Picks: Artists who make us laugh

Arpita GhosalJuly 5, 2026Comedy & Improv

Leaskdale marks 100 years of L M Montgomery’s “The Blue Castle” with new production of a musical

Leaskdale marks 100 years of L M Montgomery’s “The Blue Castle” with new production of a musical

Arpita GhosalJuly 4, 2026Dance & Musical Theatre

Toronto Fringe 2026 Picks: Family, grief and reckoning

Toronto Fringe 2026 Picks: Family, grief and reckoning

Arpita GhosalJuly 3, 2026Theatre

Toronto Fringe 2026 Preview 2: Stories about coming of age, identity and belonging

Toronto Fringe 2026 Preview 2: Stories about coming of age, identity and belonging

Arpita GhosalJuly 2, 2026Theatre

Toronto Fringe 2026 Preview: Shows by artists we have covered

Toronto Fringe 2026 Preview: Shows by artists we have covered

Arpita GhosalJune 29, 2026Theatre

Sara Farb turns the tables on the theatre industry in Here For Now’s “Love Us Most”

Sara Farb turns the tables on the theatre industry in Here For Now’s “Love Us Most”

Arpita GhosalJune 27, 2026Theatre

Review: In mythology’s greatest monster, Soulpepper’s “Medusa” finds unexpected hope

Review: In mythology’s greatest monster, Soulpepper’s “Medusa” finds unexpected hope

Scott SneddonJune 26, 2026Theatre

Review: Mirvish’s “The Outsiders” finds its power in surprising places

Review: Mirvish’s “The Outsiders” finds its power in surprising places

Arpita GhosalJune 24, 2026Dance & Musical Theatre

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“Three Sisters” feels important and immediate, and lingers long after the curtain

“Three Sisters” feels important and immediate, and lingers long after the curtain

Arpita GhosalMarch 14, 2024Theatre

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

A father, a file, a new Fringe show: The uplifting story of “Things My Dad Kept”

A father, a file, a new Fringe show: The uplifting story of “Things My Dad Kept”

Guest PostJune 25, 2025Theatre

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

In The Water Series, Naomi Jaye immerses the public in a profound, personal exploration of loss

Arpita GhosalOctober 20, 2023Screen & Words

Riot King’s “Suddenly Last Summer” is an atmospheric and resonant slow burn that grabs hold . . . and won’t let go

Riot King’s “Suddenly Last Summer” is an atmospheric and resonant slow burn that grabs hold . . . and won’t let go

Arpita GhosalAugust 12, 2023Theatre

Maev Beaty on love, language and connection in Necessary Angel’s “Letters from Max, a ritual”

Maev Beaty on love, language and connection in Necessary Angel’s “Letters from Max, a ritual”

Arpita GhosalNovember 12, 2023Theatre

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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