“shaniqua in abstraction”? More. Many. Magnificent.
“This dense and intense show begs to be seen more than once.” Review of Shaniqua in Abstraction
Read More“This dense and intense show begs to be seen more than once.” Review of Shaniqua in Abstraction
Read More“Cara is such a tough girl. The challenge was in balancing— not to underwhelm or overwhelm her story.” Interview with Jadyn Nasato
Read More“Along with strong performances, the show boasts high production values.” Review of “Things We Lost in the Fire”
Read More“Woolfe and Babb’s performances are brilliantly macabre, and their puppetry is remarkable.” Review of The House at Poe Corner
Read MoreInterview with author Tao Wong, organizer of the inaugural Toronto Indie Author Conference
Read More“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
Read More“This production might itself be called an inheritance: an immersive gift of understanding, compassion, and humanity that is being shared with the audience.” Review of “The Inheritance”
Read More“Choreographing KIOKU NO MA – 記憶の間 is a means of transmitting myself — who I am, my essence, and how I feel through emotions and experiences.” Interview with Yuichiro Inoue
Read More“Despite Dusapin’s global acclaim, his compositions are rarely performed in North America, making this event a Canadian debut for many of his pieces.” Interview with Brad Cherwin
Read More“This play is a slender and more intimate two-hander that clocks in at just 65 minutes, yet manages the neat trick of feeling leisurely and unrushed…” Review of FIJI
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