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Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

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“Woking Phoenix” is like comfort food at an unpretentious, authentic restaurant

“Woking Phoenix” is like comfort food at an unpretentious, authentic restaurant

Scott SneddonApril 23, 2024Theatre

Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep

Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep

Arpita GhosalFebruary 21, 2024Theatre

Review: King Theatre Company’s “A Christmas Carol” is spirited and special

Review: King Theatre Company’s “A Christmas Carol” is spirited and special

Arpita GhosalDecember 17, 2025Theatre

“The Last Strongman” is Mighty Mike’s theatrical feat of strength

“The Last Strongman” is Mighty Mike’s theatrical feat of strength

Arpita GhosalNovember 11, 2023Theatre

Moya O’Connell makes a magnetic turn in “The Sound Inside”

Moya O’Connell makes a magnetic turn in “The Sound Inside”

Arpita GhosalMay 17, 2023Theatre

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Arpita GhosalNovember 4, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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