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Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Arpita GhosalMarch 12, 2026Dance & Musical Theatre

The Things We Learned From Telling Tita Jokes

The Things We Learned From Telling Tita Jokes

Guest PostMarch 11, 2026Comedy & Improv

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Arpita GhosalMarch 10, 2026Theatre

Review of “The Herald”: You can only “know by going”

Review of “The Herald”: You can only “know by going”

Scott SneddonMarch 10, 2026Theatre

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Inside the heart of Director Christopher Manousos’s searing “The Surrogate”

Arpita GhosalMarch 9, 2026Theatre

“Lumière: The Art of Light” – Free, Fascinating, and Family Friendly

“Lumière: The Art of Light” – Free, Fascinating, and Family Friendly

Arlene San AgustinMarch 6, 2026Art

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Anita La Selva brings “bold and daring” steampunk verve to “The Threepenny Opera”

Anita La Selva brings “bold and daring” steampunk verve to “The Threepenny Opera”

Arpita GhosalMay 4, 2025Theatre

Review: In a darkened theatre, he chews on the challenge of “Red like Fruit”

Review: In a darkened theatre, he chews on the challenge of “Red like Fruit”

Scott SneddonJune 2, 2025Theatre

Love theatre or not, the ensemble-driven “Irish Pub Play” delivers

Love theatre or not, the ensemble-driven “Irish Pub Play” delivers

Arpita GhosalApril 1, 2025Theatre

The emotional journey of dance: Wen Wei Wang discusses Ballet Edmonton’s e-motion tour with SesayArts

The emotional journey of dance: Wen Wei Wang discusses Ballet Edmonton’s e-motion tour with SesayArts

Arpita GhosalMarch 6, 2023Dance & Musical Theatre

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Arpita GhosalNovember 7, 2023Dance & Musical Theatre

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

Scott SneddonMay 14, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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