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Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”

Scott SneddonAugust 22, 2026Theatre

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Review: The Shaw’s “Amadeus” is more cerebral than theatrical

Arpita GhosalAugust 21, 2026Theatre

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A critical reflection: Decoding the Elephant Song in the room

A critical reflection: Decoding the Elephant Song in the room

Alessandro StracuzziJune 14, 2026Theatre

Catherine Maleikova brings home wonder and whimsy in the new Toronto-inspired “Unbelievably Believable”

Catherine Maleikova brings home wonder and whimsy in the new Toronto-inspired “Unbelievably Believable”

Arpita GhosalDecember 8, 2024Theatre

Review: If you value your life and loved ones, you dare not see “The Veil”

Review: If you value your life and loved ones, you dare not see “The Veil”

Scott SneddonSeptember 23, 2025Theatre

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Arpita GhosalNovember 4, 2023Theatre

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

Arpita GhosalDecember 18, 2023Theatre

Danielle Wade is thrilled to be home for the brand-new Canadian holiday musical “Chris, Mrs.”

Arpita GhosalDecember 4, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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