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Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Scott SneddonSeptember 21, 2026Theatre

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

Scott SneddonSeptember 20, 2026Theatre

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

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Emily Paterson’s award-winning BUTCH/FEMME launches Theatre Passe Muraille’s new season

Emily Paterson’s award-winning BUTCH/FEMME launches Theatre Passe Muraille’s new season

Arpita GhosalSeptember 26, 2025Theatre

Rebecca Gibian translates and directs “How to Survive in the Wild”

Rebecca Gibian translates and directs “How to Survive in the Wild”

Arpita GhosalSeptember 16, 2024Theatre

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

1 man + 25 years + 100 minutes ÷ 5 W’s + 1 H: Boom X at Crow’s is more than the sum of its parts

Scott SneddonMay 14, 2023Theatre

Michelle Leone Huisman’s CMYK9: the Finale of a Critically-Acclaimed Photography Trilogy

Michelle Leone Huisman’s CMYK9: the Finale of a Critically-Acclaimed Photography Trilogy

Arpita GhosalJuly 1, 2023Art

Ronnie Marmo brings his acclaimed solo show to Canada

Ronnie Marmo brings his acclaimed solo show to Canada

Arpita GhosalJune 19, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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