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Review: Attention must be paid… to the devastating symphony of Stratford’s “Death of a Salesman”

Review: Attention must be paid… to the devastating symphony of Stratford’s “Death of a Salesman”

Scott SneddonJune 21, 2026Theatre

Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Arpita GhosalJune 20, 2026Dance & Musical Theatre

spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle

spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle

Arpita GhosalJune 19, 2026Theatre

Soprano Mireille Asselin is the trailblazing Nellie Bly in bold new production, “10 Days in a Madhouse”

Soprano Mireille Asselin is the trailblazing Nellie Bly in bold new production, “10 Days in a Madhouse”

Arpita GhosalJune 16, 2026Music & Opera

Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”

Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”

Arpita GhosalJune 16, 2026Dance & Musical Theatre

Review: Shaw’s stylish “Sleuth” puts trust in the audience

Review: Shaw’s stylish “Sleuth” puts trust in the audience

Arpita GhosalJune 16, 2026Theatre

How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps

How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps

Scott SneddonJune 15, 2026Theatre

Rouvan Silogix returns to the cage-within-a-cage of “The Caged Bird Sings” at Tarragon

Rouvan Silogix returns to the cage-within-a-cage of “The Caged Bird Sings” at Tarragon

Arpita GhosalJune 15, 2026Theatre

A critical reflection: Decoding the Elephant Song in the room

A critical reflection: Decoding the Elephant Song in the room

Alessandro StracuzziJune 14, 2026Theatre

Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”

Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”

Scott SneddonJune 14, 2026Theatre

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Alessandro StracuzziJune 12, 2026Theatre

Discover More Posts

Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep

Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep

Arpita GhosalFebruary 21, 2024Theatre

Review: Circlesnake’s hilarious “13 Plays About ADHD” puts neurodiversity in focus

Review: Circlesnake’s hilarious “13 Plays About ADHD” puts neurodiversity in focus

Arpita GhosalOctober 13, 2024Comedy & Improv

Frances Končan gives voices to “Women of the Fur Trade”

Frances Končan gives voices to “Women of the Fur Trade”

Arpita GhosalMarch 31, 2024Theatre

New year? New graphic novels to engross, enlighten and entertain young readers

New year? New graphic novels to engross, enlighten and entertain young readers

Scott SneddonJanuary 14, 2023Screen & Words

There’s something for everyone, everywhere: Founder Jael Richardson unFOLDs the 2023 Festival of Literary Diversity

There’s something for everyone, everywhere: Founder Jael Richardson unFOLDs the 2023 Festival of Literary Diversity

Arpita GhosalApril 27, 2023Screen & Words

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Arpita GhosalNovember 1, 2023Screen & Words

Audience favourites

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Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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