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Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Review: “Pre-Existing Condition” surprises and suffocates — in the best way

Scott SneddonSeptember 13, 2026Theatre

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Emily Anne Corcoran on Icarus Theatre’s out of this world Canadian premiere of “Walden”

Arpita GhosalSeptember 9, 2026Theatre

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

For CSA-Award nominated Siddarth Sharma, it’s “A Fine Balance”

Arpita GhosalSeptember 7, 2026Theatre

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

In the fascinating “Electric Neon Clock”, A.S.M. Kobayashi reclaims and reinvents the past

Arlene San AgustinSeptember 1, 2026Art

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

In Purawai Vyas’ “RangaMandal”, the audience and performers dance a unique collaboration

Yamini MenonAugust 31, 2026Dance & Musical Theatre

Review: Mowat’s “And No Birds Sang” rises to the moment

Review: Mowat’s “And No Birds Sang” rises to the moment

Scott SneddonAugust 27, 2026Theatre

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”

Arpita GhosalAugust 26, 2026Theatre

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit

Scott SneddonAugust 25, 2026Theatre

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight

Arpita GhosalAugust 24, 2026Theatre

Discover More Posts

Rose Napoli and Suzy Wilde’s new musical “After the Rain” is here and proves “music is for everyone”

Rose Napoli and Suzy Wilde’s new musical “After the Rain” is here and proves “music is for everyone”

Arpita GhosalMay 26, 2025Dance & Musical Theatre

“It’s a love story”: Fiona Sauder and “A Year with Frog and Toad”

“It’s a love story”: Fiona Sauder and “A Year with Frog and Toad”

Arpita GhosalMay 17, 2024Dance & Musical Theatre

Canadian Stage’s “The Shadow Whose Prey the Hunter Becomes” puts us in the crosshairs

Canadian Stage’s “The Shadow Whose Prey the Hunter Becomes” puts us in the crosshairs

Scott SneddonJanuary 21, 2024Theatre

Riot King’s “Suddenly Last Summer” is an atmospheric and resonant slow burn that grabs hold . . . and won’t let go

Riot King’s “Suddenly Last Summer” is an atmospheric and resonant slow burn that grabs hold . . . and won’t let go

Arpita GhosalAugust 12, 2023Theatre

Shakura Dickson of Soulpepper’s “Billie, Sarah and Ella” in conversation with SesayArts

Shakura Dickson of Soulpepper’s “Billie, Sarah and Ella” in conversation with SesayArts

Arpita GhosalMarch 3, 2023Music & Opera

Reimagining revolution: Saccha Dennis’ Jesus Christ Superstar is a Black Panther

Reimagining revolution: Saccha Dennis’ Jesus Christ Superstar is a Black Panther

Arpita GhosalNovember 22, 2023Dance & Musical Theatre

Audience favourites

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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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