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Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause

Arpita GhosalJune 20, 2026Dance & Musical Theatre

spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle

spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle

Arpita GhosalJune 19, 2026Theatre

Soprano Mireille Asselin is the trailblazing Nellie Bly in bold new production, “10 Days in a Madhouse”

Soprano Mireille Asselin is the trailblazing Nellie Bly in bold new production, “10 Days in a Madhouse”

Arpita GhosalJune 16, 2026Music & Opera

Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”

Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”

Arpita GhosalJune 16, 2026Dance & Musical Theatre

Review: Shaw’s stylish “Sleuth” puts trust in the audience

Review: Shaw’s stylish “Sleuth” puts trust in the audience

Arpita GhosalJune 16, 2026Theatre

How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps

How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps

Scott SneddonJune 15, 2026Theatre

Rouvan Silogix returns to the cage-within-a-cage of “The Caged Bird Sings” at Tarragon

Rouvan Silogix returns to the cage-within-a-cage of “The Caged Bird Sings” at Tarragon

Arpita GhosalJune 15, 2026Theatre

A critical reflection: Decoding the Elephant Song in the room

A critical reflection: Decoding the Elephant Song in the room

Alessandro StracuzziJune 14, 2026Theatre

Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”

Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”

Scott SneddonJune 14, 2026Theatre

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Review: Wren Theatre’s “Clue” has six suspects, several weapons, and no time to slow down

Alessandro StracuzziJune 12, 2026Theatre

In Ilana Khanin’s latest theatrical experiment, she insists “You Must Change Your Life”

In Ilana Khanin’s latest theatrical experiment, she insists “You Must Change Your Life”

Arpita GhosalJune 9, 2026Theatre

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Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first

Arpita GhosalApril 19, 2026Music & Opera

Opera Atelier’s epochal celebration: a love story and Canadian premiere

Opera Atelier’s epochal celebration: a love story and Canadian premiere

Arpita GhosalApril 11, 2025Music & Opera

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”

Arpita GhosalApril 21, 2026Theatre

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Sara Florence Davidson discusses the Sḵ’ad’a Stories Series with SesayArts

Arpita GhosalFebruary 9, 2023Screen & Words

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Choi and Bautista’s “Love You Wrong Time” pops up across Toronto to make audiences laugh, then think

Arpita GhosalApril 5, 2023Music & Opera

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

Arpita GhosalDecember 18, 2023Theatre

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Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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