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Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Scott SneddonMarch 26, 2026Theatre

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Esie Mensah’s Afrofusion dance-theatre epic ZAYO makes its world premiere

Arpita GhosalMarch 12, 2026Dance & Musical Theatre

The Things We Learned From Telling Tita Jokes

The Things We Learned From Telling Tita Jokes

Guest PostMarch 11, 2026Comedy & Improv

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”

Arpita GhosalMarch 10, 2026Theatre

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Toronto welcomes Dancers of Damelahamid’s “Raven Mother”: a powerful tribute to matriarchs

Toronto welcomes Dancers of Damelahamid’s “Raven Mother”: a powerful tribute to matriarchs

Arpita GhosalNovember 28, 2024Dance & Musical Theatre

Review: Wren Theatre strips it down for a sensational “Dangerous Liaisons”

Review: Wren Theatre strips it down for a sensational “Dangerous Liaisons”

Scott SneddonMay 30, 2025Theatre

Fear of wolves and respect for tradition inform David Danzon’s Mukashi, Mukashi

Fear of wolves and respect for tradition inform David Danzon’s Mukashi, Mukashi

Denise AlbeanuSeptember 18, 2024Theatre

Unraveling the Mystery: A chat with Monica Dottor, mastermind director of County Stage’s ‘The 39 Steps’

Unraveling the Mystery: A chat with Monica Dottor, mastermind director of County Stage’s ‘The 39 Steps’

Arpita GhosalAugust 4, 2023Theatre

Mitali Banerjee Ruths celebrates South Asian culture in the vibrant Party Diaries series

Mitali Banerjee Ruths celebrates South Asian culture in the vibrant Party Diaries series

Arpita GhosalAugust 10, 2023Screen & Words

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

John D. Huston delivers his one-man A Christmas Carol as Dickens “intended it to be experienced”

Arpita GhosalDecember 18, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
TheatreScott SneddonJune 6, 2025

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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