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Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Review: A rich “Wine in the Wilderness” with strong notes of yesterday and today

Scott SneddonSeptember 27, 2026Theatre

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”

Arpita GhosalSeptember 22, 2026Music & Opera

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”

Scott SneddonSeptember 21, 2026Theatre

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences

Scott SneddonSeptember 20, 2026Theatre

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Jake Bunyan and Olivia Neary-Hatton find hope in the unknown in Soulpepper’s “Spring Awakening”

Arpita GhosalSeptember 19, 2026Theatre

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer

Scott SneddonSeptember 17, 2026Theatre

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Nudity through new lenses: After 20 years, choreographer Sasha Ivanochko returns to “Heaven”

Yamini MenonSeptember 15, 2026Dance & Musical Theatre

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Review: Small But Mighty’s “Eternally Yours” is thematically rich, big fanged fun

Review: Small But Mighty’s “Eternally Yours” is thematically rich, big fanged fun

Scott SneddonNovember 1, 2025Dance & Musical Theatre

Review: Fierce’s odd couple push each other – and the audience

Review: Fierce’s odd couple push each other – and the audience

Scott SneddonSeptember 9, 2024Theatre

A critical reflection: Decoding the Elephant Song in the room

A critical reflection: Decoding the Elephant Song in the room

Alessandro StracuzziJune 14, 2026Theatre

Seana McKenna travels from Stratford to Crow’s – on Bad Roads

Seana McKenna travels from Stratford to Crow’s – on Bad Roads

Arpita GhosalNovember 25, 2023Theatre

The Sacrifice: Dada Masilo’s electrifying African spin on The Rite of Spring

The Sacrifice: Dada Masilo’s electrifying African spin on The Rite of Spring

Arpita GhosalJuly 7, 2023Dance & Musical Theatre

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Arpita GhosalNovember 7, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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