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Theatre
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Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Review: YPT’s “Jordan” turns tragedy into simple, soaring children’s theatre

Scott SneddonOctober 21, 2026Theatre

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Matt Pilipiak on Bad Hats Theatre’s “New Bad Ideas Live”

Arpita GhosalOctober 21, 2026Music & Opera

Review: “Dancer” musical has heart, history, compelling choreography and potential

Review: “Dancer” musical has heart, history, compelling choreography and potential

Arpita GhosalOctober 17, 2026Dance & Musical Theatre

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Review: Karen Robinson electrifies in the weird, wonderful but demanding “Prophetess”

Scott SneddonOctober 16, 2026Theatre

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Review: Theatre Aquarius’ “Sisters of ’78” puts a human face on labour history

Alessandro StracuzziOctober 15, 2026Theatre

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Review: New Second City show is “100% Real Human.” (No algorithm is this funny!)

Scott SneddonOctober 15, 2026Comedy & Improv

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

In “Uncivilized,” Ahmad Meree interrogates the price of belonging – and who gets to be called “civilized”

Arpita GhosalOctober 13, 2026Theatre

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”

Scott SneddonOctober 7, 2026Theatre

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Review: “Bootycandy” makes Canadian premiere in Buddies and Obsidian co-production

Arpita GhosalOctober 6, 2026Theatre

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation

Scott SneddonOctober 3, 2026Theatre

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Review: Shifting Ground Collective’s “Amélie” has energy and charm

Arpita GhosalSeptember 29, 2026Dance & Musical Theatre

Discover More Posts

Playwright Gillian Clark is crafting magic and hope in “Adventures”

Playwright Gillian Clark is crafting magic and hope in “Adventures”

Arpita GhosalFebruary 19, 2025Theatre

Bea Labikova on the innovation and inclusivity of the “Women From Space” festival

Bea Labikova on the innovation and inclusivity of the “Women From Space” festival

Arpita GhosalMarch 3, 2025Music & Opera / Theatre

Review: Shaw farce “Tons of Money” is tons of funny

Review: Shaw farce “Tons of Money” is tons of funny

Scott SneddonJune 14, 2025Theatre

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Hana Shafi explores the hidden beauty of everyday connections in “People You Know, Places You’ve Been”

Arpita GhosalNovember 1, 2023Screen & Words

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space

Arpita GhosalNovember 4, 2023Theatre

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Choreographer Fouad Boussouf’s Näss mesmerizes and confounds

Arpita GhosalNovember 7, 2023Dance & Musical Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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