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“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”

Arpita GhosalApril 9, 2026Music & Opera

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”

Arpita GhosalApril 3, 2026Theatre

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience

Paria AzarmehanApril 1, 2026Theatre

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light

Scott SneddonMarch 31, 2026Theatre

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Review: Cat-and-mouse thriller “Anywhere” grabs by the neck

Arpita GhosalMarch 29, 2026Theatre

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Review: Icarus’s combustible “Julie” tells two provocative stories in one

Scott SneddonMarch 26, 2026Theatre

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”

Hafsa HoosaneyMarch 19, 2026Theatre

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Joanne Robertson’s new book with Shirley (Fletcher) Horn centres resilience

Arpita GhosalMarch 18, 2026Screen & Words

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Review: Lively and vulnerable, it’s a not-so “Drowsy Chaperone”

Arpita GhosalMarch 14, 2026Dance & Musical Theatre

Review of “The Neighbours”: Neighbourhood Watch from the front row

Review of “The Neighbours”: Neighbourhood Watch from the front row

Hafsa HoosaneyMarch 13, 2026Theatre

Review: “Syndrome” locks us in — and makes us start cleaning

Review: “Syndrome” locks us in — and makes us start cleaning

Scott SneddonMarch 12, 2026Theatre

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What good comes of “Things We Lost in the Fire”

What good comes of “Things We Lost in the Fire”

Arpita GhosalApril 16, 2024Theatre

Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre

Review: “Goblin: Macbeth” gleefully celebrates the magic of theatre

Scott SneddonOctober 7, 2024Theatre

Duncan Stenhouse on his love for jazz, opera and new beginnings at the Canadian Opera Company

Duncan Stenhouse on his love for jazz, opera and new beginnings at the Canadian Opera Company

Arpita GhosalOctober 10, 2024Music & Opera

In conversation with Yvonne Ng, Artistic Director of the 2023 dance: made in canada Festival

In conversation with Yvonne Ng, Artistic Director of the 2023 dance: made in canada Festival

Arpita GhosalAugust 16, 2023Dance & Musical Theatre

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Soprano Anna-Julia David comes full circle for her Opera Atelier debut

Arpita GhosalOctober 26, 2023Music & Opera

Chantal Lim’s ancient dialect is dying! What – and who – will keep it alive?

Chantal Lim’s ancient dialect is dying! What – and who – will keep it alive?

Arpita GhosalJuly 6, 2023Theatre

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Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
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Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Reviews: Three fascinating Stratford Festival productions to scratch your Shakespeare itch
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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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