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Review: “All the Cows Are Dead” carves out something rare and unexpected

Review: “All the Cows Are Dead” carves out something rare and unexpected

Scott SneddonNovember 11, 2026Dance & Musical Theatre

“Lemons … Lemons” is one of the best shows of the year

“Lemons … Lemons” is one of the best shows of the year

Arpita Ghosal and Scott SneddonNovember 11, 2026Theatre

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Review: King Theatre Company’s “Alias Grace” makes room for uncertainty

Arpita GhosalNovember 11, 2026Theatre

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

“It’s full of surprises and secrets”: Lisa Horner on “Radiant Vermin”

Arpita GhosalNovember 10, 2026Theatre

Review: Two bunks, one word: “Camp” is devastating and essential

Review: Two bunks, one word: “Camp” is devastating and essential

Scott SneddonNovember 7, 2026Theatre

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Review: Creep-ativity loves constraint in “The Call Centre of Cthulhu”

Scott SneddonNovember 3, 2026Theatre

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

“Santos Sisters V2”: this irresistibly smart, spicy “Archie” mashup makes a perfect gift

Scott SneddonNovember 2, 2026Screen & Words

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

One more for the wall: In St. Thomas, “A Stork Club Story” brings Canada’s biggest dance floor home

Scott SneddonNovember 1, 2026Theatre

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

“There is very little citrus content in this play”: Bonnie Duff on directing “Lemons Lemons Lemons Lemons Lemons”

Arpita GhosalOctober 30, 2026Theatre

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Two doubted art forms walk into a theatre: Colin Mochrie and Asad Mecci on the magic of HYPROV

Scott SneddonOctober 27, 2026Comedy & Improv

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Review: Shaw Festival’s “Sleuth” comes to Toronto… and the game is still on!

Arpita GhosalOctober 26, 2026Theatre

Discover More Posts

Review: This is one Funeral that bears repeating

Review: This is one Funeral that bears repeating

Arpita GhosalDecember 16, 2024Theatre

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Queen Hezumuryango makes COC mainstage debut in historic new Canadian opera “La Reine-garçon”

Arpita GhosalJanuary 31, 2025Music & Opera

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip

Scott SneddonSeptember 6, 2026Theatre

Stage Centre Productions’ CAMILLE takes on the man’s world of 19th-century Paris

Stage Centre Productions’ CAMILLE takes on the man’s world of 19th-century Paris

Arpita GhosalMarch 27, 2023Theatre

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Reflections: Appreciating the unique & immersive dance: made in canada / fait au canada

Emilia VoudourisSeptember 3, 2023Dance & Musical Theatre

Intimate, immersive and inspired: “A Christmas Carol” haunts the Campbell House Museum

Intimate, immersive and inspired: “A Christmas Carol” haunts the Campbell House Museum

Scott SneddonDecember 24, 2023Theatre

Audience favourites

Reviews: Sesaya Arts is at the 2025 Toronto Fringe Festival
TheatreArpita Ghosal and Scott SneddonJuly 9, 2025
Aga Khan Museum: 10 years new… and not what you think it is!
ArtScott SneddonJanuary 6, 2025
Love, loss, and second chances await in Toshikazu Kawaguchi’s café
Screen & WordsArpita GhosalNovember 26, 2024

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Video Interviews

SesayArts Interview with Kelsey Verzotti

SesayArts Interview with Paolo Santalucia

SesayArts Interview with Phyllis Webstad

SesayArts Interview with Tita Collective

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