Nick Murphy is the keeper of the keys to the gilded cage in COC’s revival of “La Traviata”
Bass-baritone Nick Murphy sings the Marchese d’Obigny in the COC’s revival of Verdi’s “La Traviata”
Bass-baritone Nick Murphy sings the Marchese d’Obigny in the COC’s revival of Verdi’s “La Traviata”
Lee Stone, Callan Forrester and Tsholo Khalema on creating and presenting the new musical revue “This Is Trans: JOY”
“This Pelléas et Mélisande is an incredibly ambitious —and often exquisitely beautiful— undertaking.” ~ Arpita Ghosal
“To create something that has all those different disciplines that feed each other—and the seams don’t show—that’s the hard part of it. And that’s the exciting part of it.” ~ Sandra Laronde
Interview with David James Brock about the hybrid recital play “Room of Keys,” presented by Piano Lunaire
“I see a lot of myself in Rosina. Of all the characters I’ve portrayed, her temperament and qualities align most closely with my own. She’s playful, quick-thinking, and fiercely determined.” ~ Ariana Maubach
“What I hope is that in bringing with that a bit more of myself, that also changes our relationship. If the offering is different, I’m hoping the way it’s received can be different.” ~ Leslie Ting
“It is so important that people feel like they belong at the PAC, and further, that they see themselves on our stages,” Colleen A. Smith
“I think sound discovery-based works are excellent choices for new ears… As long as we discover together, they are ready for it.” ~ Xin Wang
“Whether it’s elephant to elephant, elephant to human, or human to human, in this piece music becomes our universal communicator…” ~ Midori Marsh