Olivia Sinclair-Brisbane on the robust road to Stratford
Profile of Olivia Sinclair-Brisbane, appearing in “Something Rotten!” and “Guys and Dolls” at Stratford Festival
Dance & Musical Theatre
Review: Capitol Theatre’s “Come From Away” shrinks a Broadway blockbuster to amplify its heart
Review of Capitol Theatre’s “Come From Away”
Leaskdale marks 100 years of L M Montgomery’s “The Blue Castle” with new production of a musical
Interview with Jackie Bellamy, Andrea McKenzie and Seline Berish about “The Blue Castle: A Musical”
Review: Mirvish’s “The Outsiders” finds its power in surprising places
Review of the Tony-Award winning “The Outsiders,” making its Canadian premiere at Mirvish
Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause
Review of Shaw Festival’s “Funny Girl” with Sara Farb, directed by Eda Holmes
Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”
Interview with Andrew Seok about “PUNCH – A New Musical” inspired by the true story of Punch the monkey at Factory Theatre
Review: “Tiger Bride” claws its way into your skull, and leaves you dazzled and dazed
“We’re on a weird, wild, wonderfully different plane. We need to just go with it.” ~ Scott Sneddon
With a focus on human resilience, Anthony Goncharov directs Bowtie’s “Next to Normal”
Interview with Anthony Goncharov about directing Bowtie Productions’ “Next to Normal”
Review: “You’re a Good Man” in a great show, “Charlie Brown”
“What remains is a delightful and visually arresting evening at the theatre that taps into a vein of uncomplicated comedy and comfort.” ~ Arpita Ghosal
From bromance to romance: inside the new Tragically Hip musical
“These are amazing songwriters. And so as far as contemporary musical theatre goes, the music is really strong—even put up against all the great musical theatre canon.” ~ Jesse LaVercombe
Natasha Powell invites the Coltrane-curious to “The Room Upstairs”
“Jazz dance education is important and always urgent for me: helping people understand that this practice is a living and breathing art form…” ~ Natasha Powell
Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”
“It’s quite incredible, crazy even, that we think Shakespeare is all about words. But here we are … able to tell the story without them” ~ Sonia Rodriguez