Toronto Fringe 2026 Picks: Shows for the old, young and young at heart
Round up of all-ages, genre-defying and KidsFest picks at 2026 Toronto Fringe Festival
Theatre
Toronto Fringe 2026 Picks: Family, grief and reckoning
Our pick of Toronto Fringe Festival shows around themes of family, grief and reckoning
Toronto Fringe 2026 Preview 2: Stories about coming of age, identity and belonging
Preview of this year’s Toronto Fringe: shows about the work of becoming, identity and belonging
Toronto Fringe 2026 Preview: Shows by artists we have covered
Toronto Fringe Festival preview highlights featuring artists whose work Sesaya Arts has covered
Sara Farb turns the tables on the theatre industry in Here For Now’s “Love Us Most”
Interview with actor-writer Sara Farb about her debut play “Love Us Most” at Here For Now Theatre
Review: In mythology’s greatest monster, Soulpepper’s “Medusa” finds unexpected hope
Review of Erin Shields’ “Medusa” at Soulpepper Theatre in collaboration with Outside the March
Review: In Stratford’s confounding “The Tempest”, the true magic lies in the ending
Review of Shakespeare’s “The Tempest” by Stratford Festival’s departing artistic director, Antoni Cimolino
Review: Stratford’s mesmerizing “A Midsummer Night’s Dream” casts a spell you won’t want broken
Graham Abbey directs a “genuinely magical” version of Shakespeare’s “A Midsummer Night’s Dream” that mines new depths
Review: Attention must be paid… to the devastating symphony of Stratford’s “Death of a Salesman”
Review of Arthur Miller’s “Death of a Salesman” at Stratford Festival
spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle
Interview with spindle collective’s Natalia Bushnik and Kathleen Welch about “siofra,” premiering at Toronto’s Red Sandcastle Theatre, in association with Eldritch Theatre
Review: Shaw’s stylish “Sleuth” puts trust in the audience
Review of the Shaw Festival’s new production of Anthony Shaffer’s 1970 psychological thriller “Sleuth”
How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps
Profile of Toronto-trained, NYC-based actor Melanie Santos Cordero