Review: Mirvish’s “The Outsiders” finds its power in surprising places
Review of the Tony-Award winning “The Outsiders,” making its Canadian premiere at Mirvish
Review: No rain on her parade: Shaw Festival’s “Funny Girl” earns its applause
Review of Shaw Festival’s “Funny Girl” with Sara Farb, directed by Eda Holmes
spindle collective’s latest “síofra” brings changeling folklore and human horror to the Red Sandcastle
Interview with spindle collective’s Natalia Bushnik and Kathleen Welch about “siofra,” premiering at Toronto’s Red Sandcastle Theatre, in association with Eldritch Theatre
Andrew Seok finds the musical in a monkey’s heartbreak and longing for love in “PUNCH– A New Musical”
Interview with Andrew Seok about “PUNCH – A New Musical” inspired by the true story of Punch the monkey at Factory Theatre
Review: Shaw’s stylish “Sleuth” puts trust in the audience
Review of the Shaw Festival’s new production of Anthony Shaffer’s 1970 psychological thriller “Sleuth”
Rouvan Silogix returns to the cage-within-a-cage of “The Caged Bird Sings” at Tarragon
Profile of Rouvan Silogix of about the revival of “The Caged Bird Sings” at Tarragon Theatre
In Ilana Khanin’s latest theatrical experiment, she insists “You Must Change Your Life”
Interview with Ilana Khanin about her new Richard Foreman- inspired experimental theatre work, “You Must Change Your Life”
Durae McFarlane on the life-changing kindness of “Primary Trust”
Interview with Durae McFarlane about playing Kenneth in Eboni Booth’s “Primary Trust” in a Grand Theatre and Crow’s Theatre co-production
With a focus on human resilience, Anthony Goncharov directs Bowtie’s “Next to Normal”
Interview with Anthony Goncharov about directing Bowtie Productions’ “Next to Normal”
Review: “You’re a Good Man” in a great show, “Charlie Brown”
“What remains is a delightful and visually arresting evening at the theatre that taps into a vein of uncomplicated comedy and comfort.” ~ Arpita Ghosal
Review: “take rimbaud” is one hell of an experience
“Directed with élan by Buddies Artistic Director ted witzel, take rimbaud takes place in a liminal space that straddles 2014 Toronto, 1871 France, and artistic hell.” ~ Arpita Ghosal