Review: In a nightmare ride-along, doctor and actor Janet McMordie takes our “Vitals”
“The play asks what happens when society’s most urgent helpers, responders like Anna, are left without help for themselves first” ~ Arpita Ghosal
Comedian Ashwyn Singh: new material + “Desi Translations” = big birthday show!
“If all you see getting attention on your phone are the things you hate, let me show you that the real world is not like that.” ~ Ashwyn Singh
Lindo Forbes brings “The Inscrutable Mr. Yang” to The FOLD
“I’d like to believe it’s because people understand that, fundamentally, diversity of experience is a net positive for us all.” ~ Lindo Forbes
Natasha Powell invites the Coltrane-curious to “The Room Upstairs”
“Jazz dance education is important and always urgent for me: helping people understand that this practice is a living and breathing art form…” ~ Natasha Powell
Guillaume Côté and Sonia Rodriguez reunite in “The Tragedy of Hamlet”
“It’s quite incredible, crazy even, that we think Shakespeare is all about words. But here we are … able to tell the story without them” ~ Sonia Rodriguez
Daniel Maslany walks a blurred line in Andrew Kushnir’s deeply personal new play, “The Division”
“This play is not a history lesson. It engages with history to bring it into the now in a really powerful and immediate way.” ~ Daniel Maslany
Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”
“Where the production finds its most compelling footing is in specific casting choices and standout performances.” ~ Arpita Ghosal
Review: Opera Atelier’s beautiful “Pelléas et Mélisande” marks another ambitious first
“This Pelléas et Mélisande is an incredibly ambitious —and often exquisitely beautiful— undertaking.” ~ Arpita Ghosal
Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”
“This play speaks to those who feel judged in the world… it shows we can choose ourselves and push past other’s expectations of us.” ~ Jasmine Case
Sandra Laronde’s “She Holds Up the Stars” soars big
“To create something that has all those different disciplines that feed each other—and the seams don’t show—that’s the hard part of it. And that’s the exciting part of it.” ~ Sandra Laronde
“Room Of Keys” reimagines the recital form and unlocks new rooms in “Bluebeard’s Castle”
Interview with David James Brock about the hybrid recital play “Room of Keys,” presented by Piano Lunaire
Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”
Interview with Raquel Duffy and Lindsey Middleton about Jen Silverman’s “The Moors,” presented by Riot King