Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit
Review of Stratford Festival’s “The Tao of the World” by Jovanni Sy
Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”
Review of the Shaw Festival’s “Heartbreak House” by George Bernard Shaw
Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell
Review of King Theatre Company’s “The Pavilion,” directed by Chloë Rose Flowers
Review: GFT’s “Northanger Abbey” is a madcap summer triumph
Review of Guild Festival Theatre’s “Jane Austen’s Northanger Abbey: A Most Horrid Mystery” adapted and directed by Tyler J. Seguin
Review: Capitol Theatre’s “Come From Away” shrinks a Broadway blockbuster to amplify its heart
Review of Capitol Theatre’s “Come From Away”
Review: In mythology’s greatest monster, Soulpepper’s “Medusa” finds unexpected hope
Review of Erin Shields’ “Medusa” at Soulpepper Theatre in collaboration with Outside the March
Review: In Stratford’s confounding “The Tempest”, the true magic lies in the ending
Review of Shakespeare’s “The Tempest” by Stratford Festival’s departing artistic director, Antoni Cimolino
Review: Stratford’s mesmerizing “A Midsummer Night’s Dream” casts a spell you won’t want broken
Graham Abbey directs a “genuinely magical” version of Shakespeare’s “A Midsummer Night’s Dream” that mines new depths
Review: Attention must be paid… to the devastating symphony of Stratford’s “Death of a Salesman”
Review of Arthur Miller’s “Death of a Salesman” at Stratford Festival
How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps
Profile of Toronto-trained, NYC-based actor Melanie Santos Cordero
Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”
Review of Shaw Festival’s “One For The Pot” and “Jeeves & Wooster in Perfect Nonsense”
Review: “Tiger Bride” claws its way into your skull, and leaves you dazzled and dazed
“We’re on a weird, wild, wonderfully different plane. We need to just go with it.” ~ Scott Sneddon