Review: Ins Choi weaves the magic spell of a “Son of a Preacherman”
Ins Choi brings autobiographical “Son of a Preacherman” home to Toronto
Review: “Ten Commandments – Rewritten” is a brave, important and joyous act of Iranian reclamation
Review: of “Ten Commandments – Rewritten” by Echoes Ensemble
Review: Beneath the trapdoor, a shrewd and mesmerizing “Measure For Measure”
House + Body’s “Measure for Measure”, adapted and directed by Christopher Manousos, is at Crow’s Theatre
In “To A Flame”, Erin Shields has a scary new play and a provocative invitation for Toronto Audiences
Interview with Governor General’s Award–winning playwright Erin Shields about the world premiere of “To A Flame”
Review: Volatile “Getting to Normal” puts therapy—and us—through the wringer
Review of World on Fire Theatre Collective’s “Getting to Normal” by George F. Walker
Review: “Pre-Existing Condition” surprises and suffocates — in the best way
Review of Marin Ireland’s “Pre-Existing Condition” at Coal Mine Theatre
Review: Stratford’s propulsive “Othello” ensnares us in its pincer grip
Review of the Stratford Festival’s production of “Othello”, directed by Haysam Kadri
Review: Mowat’s “And No Birds Sang” rises to the moment
Review of Farley Mowat’s “And No Birds Sang” at Capitol Theatre Port Hope
Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit
Review of Stratford Festival’s “The Tao of the World” by Jovanni Sy
Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”
Review of the Shaw Festival’s “Heartbreak House” by George Bernard Shaw
Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell
Review of King Theatre Company’s “The Pavilion,” directed by Chloë Rose Flowers