Review: In mythology’s greatest monster, Soulpepper’s “Medusa” finds unexpected hope
Review of Erin Shields’ “Medusa” at Soulpepper Theatre in collaboration with Outside the March
Review: In Stratford’s confounding “The Tempest”, the true magic lies in the ending
Review of Shakespeare’s “The Tempest” by Stratford Festival’s departing artistic director, Antoni Cimolino
Review: Stratford’s mesmerizing “A Midsummer Night’s Dream” casts a spell you won’t want broken
Graham Abbey directs a “genuinely magical” version of Shakespeare’s “A Midsummer Night’s Dream” that mines new depths
Review: Attention must be paid… to the devastating symphony of Stratford’s “Death of a Salesman”
Review of Arthur Miller’s “Death of a Salesman” at Stratford Festival
How Toronto’s Melanie Santos Cordero found America’s quietest physical theatre tradition in The City that Never Sleeps
Profile of Toronto-trained, NYC-based actor Melanie Santos Cordero
Review: Pushing farce past its limits, Shaw delights with “One For The Pot” and “Jeeves & Wooster”
Review of Shaw Festival’s “One For The Pot” and “Jeeves & Wooster in Perfect Nonsense”
Review: “Tiger Bride” claws its way into your skull, and leaves you dazzled and dazed
“We’re on a weird, wild, wonderfully different plane. We need to just go with it.” ~ Scott Sneddon
Review: With practical magic, Stratford’s “The Hobbit” conjures a dazzling but dense Middle-earth
“It’s a tremendous accomplishment, and other practical effects used to solve fantasy’s staging challenges also delight.” ~ Scott Sneddon
From 800 pages to pop-up magic: “You’ll See” closes Bealtaine Festival with a family-friendly Joyce
“This is a part of Irish culture, so that’s of interest in itself.” ~ Helen Gregg
Review: Stratford’s “Waiting for Godot” challenges a world that’s forgotten how to wait
“In this director and these actors’ hands, Vladimir and Estragon’s unself-conscious struggle to fill the time feels less like absurdity and more like resourceful heroism.” ~ Scott Sneddon
Review: “World On Fire” burns down the fourth wall — and asks what we’ll do with the ashes
“Walker’s direction steadily accelerates these individuals through their overlapping crises.” ~ Scott Sneddon
Review: Creepy “cicadas” burrows deep in Tarragon’s startling eco-thriller
“This play is a mystery that operates on geological, civilizational, and human-familial scales simultaneously, and she never lets one overwhelm the others.” ~ Scott Sneddon