“The Wind Coming over the Sea soars through the magic of its script, songs and sincerity. For the show is also a celebration of the power and possibility of immigration.” ~ Scott Sneddon
“Working with dance as the core of the storytelling posed one of the most thrilling challenges… Dance needed to become not just emotional embellishment but structural narrative.” ~ Anibal Ortegas
“The production’s greatest strength lies in the cast’s obvious enthusiasm for the material and the songs.” ~ Arpita Ghosal
“Suddenly, your truths are manifesting in front of your very eyes, and you cannot WAIT to bring People Suck: a musical airing of grievances back to Toronto bigger, better, and more timely than ever. ” ~ Megan Phillips
“This is not just the story of one man’s heritage, but a shared human story — a language older than words.” ~ Arpita Ghosal
“This is a joyously escapist and visually stunning revival that crackles with eye-popping choreography, dynamic performances, and elegant design.” ~ Arpita Ghosal
“We really wanted to embrace this idea of democratizing music – of making it something that is for everyone….a piece of four-minute, bite-sized music is kind of a miracle.” ~ Rose Napoli and Suzy Wilde
“When you share something real and curated, you accept that not everyone will understand. That is the cost of vulnerability. But it is also its power. ” ~ Srutika Sabu
“This Toronto production earns its voice in the conversation, offering clarity, courage, and unmistakable resonance.” ~ Arpita Ghosal
“I was working on Broadway in a show called Kinky Boots when Waitress was in New York, and any time my schedule would allow it, I would sneak in to see the show.” ~ Julia McLellan
“The structure of my piece is done in milestones, which means that it permits me to always make it evolve at the moment where I feel it.” ~ Rhodnie Désir
