Rose Napoli’s “Mad Madge” is the OG 17th-century influencer
“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
Read More“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
Read More“This production might itself be called an inheritance: an immersive gift of understanding, compassion, and humanity that is being shared with the audience.” Review of “The Inheritance”
Read More“This play is a slender and more intimate two-hander that clocks in at just 65 minutes, yet manages the neat trick of feeling leisurely and unrushed…” Review of FIJI
Read More“There’s immense merit in reflecting on history through new perspectives.” Interview with Frances Končan
Read More“Even for those who have never played the game, Clue offers 90 minutes of fast-paced, laugh-a-minute entertainment. ” Review of Clue at The Grand Theatre
Read More“Dana H is a deeply harrowing and profoundly human tale.” Review of Lucas Hnath’s “Dana H”
Read More“The genius of the production lies not just in the interactive format devised by writer-director Justin Lewis and writer Jacob Rajan, but in the depth and nuance that Nagarajan and Rogers bring to their roles.” Review of Mrs. Krishnan’s Party”
Read More“The more modern historical context… enormously enriches the narrative and makes Chekhov’s themes resonate deeply.” Review of Inua Ellams’ “Three Sisters”
Read More“I started writing the show before the pandemic arrived and with how it’s impacted all of our lives, I feel it’s more important than ever to dispel fear and misunderstanding.” Interview with Charlie Petch
Read More“After this show, you may leave the theatre under your own power . . . but Dead Elephants is coming with you.” Review of Good Old Neon’s “Dead Elephants”
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