Review: “Mary, Mary, Mary, Mary” delivers a new and quite contrary Gospel
“It’s a wild and wondrous experience, but also a demanding one.” ~ Scott Sneddon
Theatre
Review: Strong premise and performances at the noble heart of “Hamlet, Sweet Prince”
“Where the production finds its most compelling footing is in specific casting choices and standout performances.” ~ Arpita Ghosal
Review: “Boys with Cars” dances its still-devastating dual truths
“Two stories: one system. Embodied in a single powerful performance.” ~ Scott Sneddon
Review: Tarragon’s “Strife”: oil patch contradictions explode into daring conversations
“The special wonder of this world premiere production, which is directed with clarity and care by Yvette Nolan, is the way its form precisely matches its function.” ~ Scott Sneddon
Jasmine Case on playing the “strong, independent woman” Letitia in “Clyde’s”
“This play speaks to those who feel judged in the world… it shows we can choose ourselves and push past other’s expectations of us.” ~ Jasmine Case
Review: “Murder at Mosquito Cove” is a stylized, engrossing “Law and Order: Nfld.”
“As a debut from Walnut Productions, this work is small but mighty,” ~ Scott Sneddon
Review: Identity and trauma in “Kainchee Lagaa + Jhooti: The Begging Brown Bitch Plays”
“Prepare to be dazzled, heartbroken and haunted by these masterclass plays exploring the lives of two brown Trans women caught between worlds.” ~ Hafsa Hoosaney
Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”
Interview with Raquel Duffy and Lindsey Middleton about Jen Silverman’s “The Moors,” presented by Riot King
Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience
“Kill Your Father is immersed in two seemingly contradictory, yet deeply connected concerns: global geopolitics, and the violated rights of women ….” ~ Paria Azarmehan
Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light
“This is a play about the deeper reasons for getting up: the need to reckon with what’s past, to recognize what’s buried, and to face one’s life, lineage, and imminent ending.” ~ Scott Sneddon
Review: Cat-and-mouse thriller “Anywhere” grabs by the neck
“Under the assured direction of Cass Van Wyck, this production leans into the script’s slipperiness with confidence, anchored by Kaitlin Race and Anne van Leeuwen” ~ Arpita Ghosal
Review: Icarus’s combustible “Julie” tells two provocative stories in one
Review of Polly Stenham’s “Julie,” presented by Icacus Theatre at Tarragon Theatre’s Extraspace