Charlotte Corbeil-Coleman on the creation of “The King James Bible Play”
Interview with playwright Charlotte Corbeil-Coleman about writing “The King James Bible Play”, now on stage at Stratford Festival
Theatre
Review: Fearless alchemy makes Stratford’s “The Tao of the World” a steamy late-summer hit
Review of Stratford Festival’s “The Tao of the World” by Jovanni Sy
Review: Shaw Festival’s “The Wind in the Willows”: a “doo-doo head” of a delight
Review of the Shaw Festival’s “The Wind in the Willows,” adapted and directed by Fiona Sauder
Review: Ghosts on a Game Board in Shaw’s “Heartbreak House”
Review of the Shaw Festival’s “Heartbreak House” by George Bernard Shaw
Review: The Shaw’s “Amadeus” is more cerebral than theatrical
Review of Shaw Festival’s revival of Peter Shaffer’s “Amadeus”
In 4 great new plays at MAGDEN Theatre Festival, the producing is the star
Interview with Johnny Wideman about Theatre of the Beat’s MADGEN Theatre Festival
Review: King Theatre’s orchard-set “The Pavilion” casts a rare spell
Review of King Theatre Company’s “The Pavilion,” directed by Chloë Rose Flowers
Review: GFT’s “Northanger Abbey” is a madcap summer triumph
Review of Guild Festival Theatre’s “Jane Austen’s Northanger Abbey: A Most Horrid Mystery” adapted and directed by Tyler J. Seguin
Review: Stratford’s “The Importance of Being Earnest” blooms brilliantly
The Oscar Wilde comedy “The Importance of Being Earnest” returns to Stratford Festival
Caroline Toal finds the heart of Viola in “Twelfth Night”
““My way into her is through her open heart.” Interview with Dora Award-winning actor Caroline Toal
James Wallis on a new Season of Innovation at the St Lawrence Shakespeare Festival
Profile of James Wallis and the newest season of the St Lawrence Shakespeare Festival
Lara Lucia is the forgotten Anne in GFT’s “Brontë: The World Without”
Profile of Lara Lucia, Anne Brontë in Guild Festival Theatre’s “Brontë: The World Without” by Jordi Mand