“HANS: My Life in Fairy Tales is a carefully crafted and visually inventive production recommended for ages four and up that honours both the storyteller and his stories.” ~ Arpita Ghosal
“Suffice it to say that An Oak Tree operates on multiple levels simultaneously: as performance art, as meditation on loss, and as exploration of theatrical form itself.” ~ Scott Sneddon
“Visually, the production adopts a minimalist aesthetic: it aims to leave scope for imagination but challenges audiences in its spareness.” ~ Arpita Ghosal
“This 1922 farce… finds new life under Eda Holmes’s explosive direction in the cozy Royal George Theatre…” ~ Scott Sneddon
“Somerville and McLean recite and physicalize these excerpts in a thrilling pas de deux of intellectual sparring, romantic tension, and profound human connection.” ~ Scott Sneddon
““I’d dreamed of taking the production to Toronto, and the Coal Mine was always my #1 target. I’m incredibly grateful.” ~ Jake Planinc
“These aren’t polite adaptations—they’re radical reimaginings that crack open Shakespeare’s texts to reveal their molten cores.” ~ Scott Sneddon
“This big tent love letter to the enduring power of Anne’s story and the abiding power of imagination is the Anne of Green Gables we didn’t know we needed.” ~ Scott Sneddon
“He finds that the production achieves something remarkable.” ~ Scott Sneddon
“Welcome to Wren Theatre’s compelling, sexually charged new production of Dangerous Liaisons, in which Director Tatum Lee transforms the Annex Theatre’s spacious thrust stage into a deadly playground.” ~ Scott Sneddon
“It’s an individual journey, a living anthology, and a theatrical vehicle that… continues to pick up new creative passengers and new layers, even while carrying forward its essential truths.” ~ Scott Sneddon
