Katherine Cullen’s unusual role in “Death of Walt Disney”
“Cullen delivers a compelling performance which moves from understated and acted upon, to assertive and enraged, and finally to resigned and in control.” Interview with Katherine Cullen
Jadyn Nasato embodies complexity and courage in “Four Minutes Twelve Seconds”
“Cara is such a tough girl. The challenge was in balancing— not to underwhelm or overwhelm her story.” Interview with Jadyn Nasato
What good comes of “Things We Lost in the Fire”
“Along with strong performances, the show boasts high production values.” Review of “Things We Lost in the Fire”
Tao Wong aims for Toronto Indie Author Conference to demystify business of self-publishing
Interview with author Tao Wong, organizer of the inaugural Toronto Indie Author Conference
Rose Napoli’s “Mad Madge” is the OG 17th-century influencer
“I was reading Danielle Dutton’s lovely novella on Margaret Cavendish. And I was instantly taken by Margaret.” Interview with Rose Napoli
Dancer Yuichiro Inoue explores “Ma” and Memory in KIOKU NO MA – 記憶の間
“Choreographing KIOKU NO MA – 記憶の間 is a means of transmitting myself — who I am, my essence, and how I feel through emotions and experiences.” Interview with Yuichiro Inoue
Brad Cherwin on The Happenstancers’ upcoming “portrait concert,” Being Pascal Dusapin
“Despite Dusapin’s global acclaim, his compositions are rarely performed in North America, making this event a Canadian debut for many of his pieces.” Interview with Brad Cherwin
Frances Končan gives voices to “Women of the Fur Trade”
“There’s immense merit in reflecting on history through new perspectives.” Interview with Frances Končan
Tom Hearn has a brand-new show – How Fabulous is That?!
“Tom Hearn has established himself as an unstoppable dynamo of stage and screen…” Interview with Tom Hearn
“What’s your gift?” asks Michael Redhead Champagne’s We Need Everyone
Interview with Michael Redhead Champagne about his debut picture book, We Need Everyone
No mystery here: Clue is an incredibly fun show
“Even for those who have never played the game, Clue offers 90 minutes of fast-paced, laugh-a-minute entertainment. ” Review of Clue at The Grand Theatre
“Three Sisters” feels important and immediate, and lingers long after the curtain
“The more modern historical context… enormously enriches the narrative and makes Chekhov’s themes resonate deeply.” Review of Inua Ellams’ “Three Sisters”