Tracey Flye, Director of holiday panto PETER’S FINAL FLIGHT, in conversation with SesayArts
Our conversation with Tracey Flye, director of holiday panto PETER’S FINAL FLIGHT.
Hilarious Entrances and Exits sends a cast of all-star improvisers Home for the Holidays
Review of The Howland Company’s “Entrances and Exits: Home for the Holidays”
Welcome to “Miriam’s World”: Sesaya Arts in conversation with Naomi Jaye
Interview with narrative filmmaker Naomi Jaye about her immersive “Miriam’s World”
The Shaw Festival’s “Irving Berlin’s White Christmas” sparkles and satisfies
Review of Shaw Festival’s buoyant new production of “Irving Berlin’s White Christmas”
Quadruple threat Brittany Charlotte Smith in conversation with SesayArts
Interview with actor, writer and filmmaker Brittany Charlotte Smith
Requiem for a Gumshoe: SesayArts in conversation with award-winning creator and star Eric Woolfe
“All the Eldritch Theatre shows are ghoulish stews brewed from things I like.” Interview with Eric Woolfe about the premiere of “Requiem for a Gumshow”
SesayArts in conversation with Sheronna Osbourne & Troy Crossfield about their new play NINETY FOUR
Interview with Sheronna Osbourne and Troy Crossfield about the Toronto premiere of their play NINETY FOUR
In Canadian Stage’s Choir Boy, an exceptional ensemble delivers songs and substance
Review of Tarell Alvin McCraney’s CHOIR BOY, presented by Canadian Stage and directed by Mike Payette
His final “UnCovered” features The Music of ABBA – SesayArts in conversation with Reza Jacobs
“Come to the concert and experience it! The artists in this year’s lineup are staggeringly good.” Reza Jacobs on UnCovered: The Music of ABBA
SesayArts in conversation with Hallie Seline about Howland Company’s new adaptation of THREE SISTERS
“Chekhov requires such bravery and truth….Chekhov requires such bravery and truth. These characters are engaging with massively human questions about their purpose, love, and how to survive immense heartbreak from the world. It was always told to me that Chekhov’s work holds a thin line between humour and heartbreak.” Interview with Hallie Seline about the Howland Company’s THREE SISTERS
Factory Theatre’s The Waltz is a sweet yet substantial pas-de-deux
Review of Marie Beath Badian’s THE WALTZ, a “warm and funny play that explores the experience of two first-generation Filipinx-Canadians”
Intimate yet vast, B&E Theatre’s immersive DOUBT compels and confounds
“Like them, DOUBT is a teaching tale, but it’s far from simple.” Scott Sneddon’s review of B&E Theatre’s DOUBT: A Parable