There will be humour. There will be pathos. There will be complex, recursive interplay among past, present and future….. Oh, and there will be blood.” Scott Sneddon reviews IS GOD IS
“Again and again throughout PIPELINE, the emotional and moral ground shifts – wickedly and devastatingly. ” Scott Sneddon’s analysis of Soulpepper’s PIPELINE
Scott Sneddon’s round up of middle-grade graphic novels to read this spring
“The show is a meditation on the prospective dissolution of self. And as it happens, the act of meditation is one part of its subject matter.” Scott Sneddon’s review of Daniel Brooks’ “Other People” at Canadian Stage
“As directed by Jonathan Seinen, this is a complex tale told briskly and compellingly. ” Scott Sneddon’s review of “Iphigenia and the Furies (on Taurean Land)” by Ho Ka Kei (Jeff Ho)
Scott Sneddon’s review of Saving Wonderland: “It provides the benefit of a dynamic theatrical performance featuring a variety of endearing, over-the-top performances, plus a direct control over the story’s direction that keeps you on the edge of your seat…”
“After a pandemic lifetime, it’s time to remind ourselves what uproarious communal laughter is. The two solid new Second City shows being mounted at this bright new venue will do just the trick. ” Scott Sneddon’s review of two new Second City revues at The Comedy Bar
“Well, it’s a gripping yarn. A unique, unsettling, uplifting experience. An occasion for meditating on what we’ve been missing – and what we may yet get back. ” Scott Sneddon ruminates on experiencing “Blindness” in person.
“This is an engrossing and surprising show whose brilliance begins with its fundamental design.” Read Scott Sneddon’s in-depth review of the digital play “Time Limits Dropped on Easter Sunday” now on at the 2021 Toronto Digital Fringe Festival.
“When you put all of its elements together, The Good Fight is a richly visualized period piece with compelling characters and resonant, relevant themes.” Scott Sneddon speaks with Ted Staunton and Josh Rosen about their historical graphic novel “The Good Fight”, based on 1933’s Riot at Christie Pits in Toronto.
“This engaging read for 8-12-year-olds balances engaging character work, fast-paced world-building and sneaky-meaningful themes – and wraps it all up in a slick, colorful and unpretentious package. ” Scott Sneddon reviews Planet Hockey graphic novel.
”It’s a free show, accessible to anyone…. And we’re going to be ringing in the new year from coast to coast from the moment the clock strikes midnight in Newfoundland until the calendar flips in British Columbia.” Scott Sneddon chats with Dwayne Gretzky’s Nick Rose about the band’s FREE New Years Eve concert
