In YPT’s The Wizard of Oz, Alana Hibbert plays Auntie Em in Kansas and the titular Wizard in Oz (yes, that’s right – the wizard behind the curtain is a woman in this production!).
Thomas Goerz on Bizet’s Carmen: “My guess is, once in the theatre, you’ll have a hard time NOT singing along.”
Prior to Friday’s anticipated concert of West Coast Jazz, we chatted with Bandleader and Saxophonist Sarang Kulkarni about all things jazz, the octets’ brand new CD and … cloning. Yes, cloning!
At Soulpepper this spring, there are many opportunities to appreciate how Sarah Wilson brings unique life to widely varied characters, starting with Peggy in David French’s classic farce Jitters.
On March 18 at The Opera House, you can see The Unlikely Story live– and judge for yourself whether their success story isn’t a bit more likely than their name would lead you to believe
You probably would not assume that Goodnight Moon, a short, bright, soothing, and poetic picture book, would turn into an onstage extravaganza!
Exclusively for Toronto audiences, Akram Khan will dance the reimagined choreography, named Toro (“the contest”), as a newly envisioned solo dance at Canadian Stage.
Don’t let the 45 minutes make you think it’s a short, meaningless show. Mistatim is one of the most thought-provoking
By his own admission, Jean-Philippe Fortier-Lazure is “slightly crazy.” Is this because he’s an operatic tenor whose star is rising
“That’s some big boots to fill.” So says Paula-Jean Prudat, who is taking on Margo Kane‘s iconic solo show Moonlodge
“The twelve jurors of the title are a startlingly representative sample of the people one encounters in everyday life.”
With Kiss & Cry, choreographer Michèle Anne De Mey and award-winning filmmaker-director Jaco Van Dormael have conceived a multimedia invention
