Review: It’s thrillingly cold on “The Far Side of the Moon”
“Normand delivers a stunning performance that is technically exquisite.” ~ Scott Sneddon
Review: Small But Mighty’s “Eternally Yours” is thematically rich, big fanged fun
“You’ll have witnessed the one-of-a-kind performance of a one-of-a-kind musical,,,” ~ Scott Sneddon
Review: “Goblin: Oedipus” is a silly, shrewd, timely theatrical masterclass
“In this age where authentic community experiences feel rare, these three unlikely guides argue for — and succeed — in teaching and then reconstituting some of the original power of Greek tragedy.” ~ Scott Sneddon
Review: “Octet” is a beautiful, devastating rebuke of us all
“Instead of a traditional narrative, this co-production by Crow’s Theatre, Soulpepper and the Musical Stage Company serves up an exquisitely tuneful, yet almost entirely plotless treatise on our collective enslavement and stupidification by technology.” ~ Scott Sneddon
Review: Schlock, talk and cock make for searing “Slave Play”
“The play and production positively revel in their provocations.” ~ Scott Sneddon
Review: “Public Enemy” challenges us to look in the mirror
“Their senses-assaulting symphony of family discord feels unnervingly authentic, but the genius of the scene, which is directed with precision by Marcio Beauclair, is in what lies beneath.” ~ Scott Sneddon
Review: The Welkin’s 12 angry women … and one brutal truth
“Under outgoing Soulpepper Artistic Director Weyni Mengesha’s meticulous direction, this feels like iconic courtroom drama 12 Angry Men reimagined through the voices of rural women.” ~ Scott Sneddon
Review: Stratford’s fragmentary, fascinating “The Art of War”
“In its calculated incompleteness, The Art of War mirrors both the artist’s process and the subject’s resistance to resolution.” ~ Scott Sneddon