“By refusing to package forgiveness as a neat solution, while simultaneously showing its necessity, Forgiveness forces us to confront an uncomfortable but essential paradox in this time of conflict. ” ~ Scott Sneddon
“The Wind Coming over the Sea soars through the magic of its script, songs and sincerity. For the show is also a celebration of the power and possibility of immigration.” ~ Scott Sneddon
“Suffice it to say that An Oak Tree operates on multiple levels simultaneously: as performance art, as meditation on loss, and as exploration of theatrical form itself.” ~ Scott Sneddon
“This 1922 farce… finds new life under Eda Holmes’s explosive direction in the cozy Royal George Theatre…” ~ Scott Sneddon
“Somerville and McLean recite and physicalize these excerpts in a thrilling pas de deux of intellectual sparring, romantic tension, and profound human connection.” ~ Scott Sneddon
“These aren’t polite adaptations—they’re radical reimaginings that crack open Shakespeare’s texts to reveal their molten cores.” ~ Scott Sneddon
“This big tent love letter to the enduring power of Anne’s story and the abiding power of imagination is the Anne of Green Gables we didn’t know we needed.” ~ Scott Sneddon
“He finds that the production achieves something remarkable.” ~ Scott Sneddon
“Welcome to Wren Theatre’s compelling, sexually charged new production of Dangerous Liaisons, in which Director Tatum Lee transforms the Annex Theatre’s spacious thrust stage into a deadly playground.” ~ Scott Sneddon
“It’s an individual journey, a living anthology, and a theatrical vehicle that… continues to pick up new creative passengers and new layers, even while carrying forward its essential truths.” ~ Scott Sneddon
“Ultimately, what sets Wicked Nix apart is respect for its young audience’s emotional intelligence. The production never shies away from presenting genuine danger or complex moral dilemmas.” ~ Scott Sneddon
“As Toronto looks ahead to the Toronto Tempo joining the WNBA in 2026, FLEX conjures a pivotal moment in sports history, which resonates with contemporary discussions about race, gender, aspiration and opportunity.” ~ Scott Sneddon
