Obdurate and heart-rending, L’Amour Telle une Cathédrale Ensevelie explores the migrant experience
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
“This show succeeds in making you think deeply about this subject.” Review of Universal Child Care
“He brings to the task impressive acting chops and stage presence, plus a versatile toolkit …” Review of Macbeth – A Tale told by an Idiot
“Rockabye is a funny, fast-moving, fast-talking comedy that burrows deeply into the intersection of fame, personal identity, and politics.” Review of Rockabye
“The actors’ authenticity – and it’s important to note that they are co-authors of the play – brings a palpable sincerity and dignity to the stage.” Review of The Shadow Whose Prey the Hunter Becomes
“What sets Slava’s Snowshow apart from other shows is this uncanny ability to convey profound emotions…through the power of simplicity.” Review of Slava’s Snowshow
“This production of A Christmas Carol is an unusual and truly immersive experience, which has only gotten tighter, warmer and more polished each year since its debut in 2018.” Review of A Christmas Carol
“The show shines because of an inspired premise, an amazing cast, incredibly fun audience interactivity, and a vibe of goodhearted holiday silliness.” Review of 101 Holiday Movie Moments
“Alice in Wonderland is a full-contact, imagination-intensive and thematically-rich marvel.” Review of Bad Hat’s Alice in Wonderland
“Ang and Atkins have delivered one hell (actually two hells) of a good, immersive experience – the kind of transcendent experience that defines why we go to the theatre.” Review of Monster and Here Lies Henry
Review of Jani Lauzon’s Prophecy Fog at Coal Mine Theatre