Lindsey Middleton and Raquel Duffy are in the wondrous and wild “The Moors”
Interview with Raquel Duffy and Lindsey Middleton about Jen Silverman’s “The Moors,” presented by Riot King
Theatre
Review: Provocative “Kill Your Father” rewrites Medea’s rage and resilience
“Kill Your Father is immersed in two seemingly contradictory, yet deeply connected concerns: global geopolitics, and the violated rights of women ….” ~ Paria Azarmehan
Review: “Queen Maeve” showed me my (r)aging mother in an unexpected new light
“This is a play about the deeper reasons for getting up: the need to reckon with what’s past, to recognize what’s buried, and to face one’s life, lineage, and imminent ending.” ~ Scott Sneddon
Review: Cat-and-mouse thriller “Anywhere” grabs by the neck
“Under the assured direction of Cass Van Wyck, this production leans into the script’s slipperiness with confidence, anchored by Kaitlin Race and Anne van Leeuwen” ~ Arpita Ghosal
Review: Icarus’s combustible “Julie” tells two provocative stories in one
Review of Polly Stenham’s “Julie,” presented by Icacus Theatre at Tarragon Theatre’s Extraspace
Review: Bollywood, Humour and Heart in “An IMM-Permanent Resident”
Humour that never lets up and a story of love and sacrifice that anchors the production
Review of “The Neighbours”: Neighbourhood Watch from the front row
“In its directness, The Neighbours pushes us to ask ourselves the questions the play evokes.” ~ Hafsa Hoosaney
Review: “Syndrome” locks us in — and makes us start cleaning
“The show’s “cold open” punches hard, and the staging makes maximal use of minimal confines, with Kyle’s wall‑work especially evocative.” ~ Scott Sneddon
Dearly beloved, Nabil Traboulsi challenges us to look in ARC’s “A Mirror”
“I personally feel that we need to talk more about censorship and free speech in Canada and the West, and this play has all the elements needed to start that conversation.” ~ Nabil Traboulsi
Review of “The Herald”: You can only “know by going”
“As performance, The Herald is dense, poetic immersion, rather than linear narrative. ” ~ Scott Sneddon
Review: Puppet-powered “Little Willy” Is a bawdy, boisterous love letter to the theatre
“What remains after all of the laughter is not a lampoon of Romeo and Juliet, but a provocation about why we gather..,” ~ Scott Sneddon