Review: New “Takwahiminana” blends memory, movement, and multicultural identity
“Ultimately, what sets Wicked Nix apart is respect for its young audience’s emotional intelligence. The production never shies away from presenting genuine danger or complex moral dilemmas.” ~ Scott Sneddon
“Stephens’ lyrics demand more of the audience… it often feels like his characters are daring people to engage in the conversation.” ~ Anita La Selva
“As Toronto looks ahead to the Toronto Tempo joining the WNBA in 2026, FLEX conjures a pivotal moment in sports history, which resonates with contemporary discussions about race, gender, aspiration and opportunity.” ~ Scott Sneddon
“The idea of ‘divorcing a dead husband’… it’s not just about leaving a relationship, it’s about reclaiming identity and autonomy after a lifetime of emotional, cultural, and societal expectations.” ~ Sanskruti Marathe & Davinder Malhi
“This one-woman show starring Vanessa Sears and directed by Cherissa Richards is an exquisitely acted, beautifully calibrated and highly affecting production.” ~ Arpita Ghosal
“It’s rare for women my age to have the opportunity to play someone so complex, intelligent, wild, and spiky — someone who feels things on an epic scale.” ~ Charlotte Dennis
“What begins as an argument about art spirals into a deeper confrontation: about values, validation, and the roles the men play in one another’s lives.” ~ Arpita Ghosal
“It feels like a dream every time I get to sing it.” ~ Meher Pavri