“shaniqua in abstraction”? More. Many. Magnificent.
“This dense and intense show begs to be seen more than once.” Review of Shaniqua in Abstraction
Crow’s Theatre
What good comes of “Things We Lost in the Fire”
“Along with strong performances, the show boasts high production values.” Review of “Things We Lost in the Fire”
Sexy AND funny AND moving, Tease defies expectations
“Tease is a tremendously fun experience that thwarts expectations and easy definition.” Review of “Tease”
Obdurate and heart-rending, L’Amour Telle une Cathédrale Ensevelie explores the migrant experience
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
(Sonya and) Natasha, Pierre and the Great Comet of 1812: In conversation with Camille Eanga-Selenge
“I cannot wait for audiences to experience this musical that shows you the possibilities of what musical theatre can be.” In conversation with Camille Eanga-Selenge
Seana McKenna travels from Stratford to Crow’s – on Bad Roads
“It was the chance to give Ukrainian culture, which faces the threat of erasure, a voice.” Interview with Seana McKenna, Bad Roads
(As I watched Cliff Cardinal’s latest show) A Terrible Uncertainty (overcame me)
Review of Cliff Cardina’s (Everyone I love has) A Terrible Fate (befall them)
Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”
“I don’t think I’ve ever played someone I disagree with so vehemently before…” Ruth Goodwin, “Heroes of the Fourth Turning”
When he wrote hit “The Master Plan” for Crow’s Theatre, playwright Michael Healey didn’t have one
“I don’t know why, but I had an immediate sense of the story I wanted to tell.” Michael Healey, The Master Plan
Perceptual Archaeology teaches “How to Travel Blind” – and spectate with insight
“The Fire and Rescue Team have built a playful and profound theatrical experience that takes audiences on a parallel awakening.” Review by Scott Sneddon