“The fact that people involved are from different backgrounds, and that the company is called ‘Ballet Black’ forces people to ask why.” Cassa Pancho, AD and Founder of Ballet Black
“Delicately interconnected, the festival’s many performances came together to tell a powerful universal story.” Emilia Voudouris reflects on the 7th d: mic/fac Festival
“This genre-bending show is comedy, dance, drama and a little squirm-in-your-seat truth telling.” Interview with Oshini Wanigasekera
“There was a gap of performance opportunities for mid-level artists. I wanted to pay forward the opportunities that I had received in my career.” Interview with Yvonne Ng, d: mac/fac Festival
“What has surprised me the most about working on this musical is just how funny, dark, and absurdly good it is.” Interview with Tahirih Vejdani
“Amidst its trees lies Dusk Dances’ 30th festival, a week of magic evenings curated by Sylvie Bouchard.”
“With roots firmly in the Tswana dance of her background, Masilo reshapes the original piece to create something entirely new…” Review of Dada Masilo’s The Sacrifice
“See a marvelous ensemble at the height of their powers tell a compelling story.” Review of “The Ballad of Stompin’ Tom”
“Come see this brand-new musical, and embark on a transformative journey.” Eva Foote on the world premiere production, “Kelly v. Kelly”
“The musical ultimately serves as a reflection on the human experience and portrays the ability to overcome adversity through art and community.” Romeo Candido on his new musical “Prison Dancer”
“This work is a true expression of what we all lived together in that first year….It is like our diary.” Interview with Ballet Edmonton’s AD Wen Wei Wang
“I create dances about what I am experiencing in my life.” Interview with Christine Friday about “Firewater Thunderbird Rising”
