“It’s a sonically gorgeous, vocally commanding, and lyrically potent record that is the best way The Chicks could have possibly come back from their hiatus.” ~ Sayak’s Review of The Chicks’ new album Gaslighter
In her program The Magic of Yaman Through Khayal & Cinema, Ramneek Singh will present the interconnection between Indian classical and modern music, in her return to the Summer Music in the Garden at Home concert series.
The Holy Gasp’s Benjamin Hackman premieres his choral composition GRIEF on July 1 via livestream performance. The night-long experience will shine a light on the grieving process.
“We are telling someone’s personal story, and we hope the audience will have the curiosity and open mind to delve deeply with us into Jacqueline’s heart, mind and soul.” Interview with Marnie Breckenridge, Tapestry Opera’s JACQUELINE
A winning verdict for Hart House Theatre’s “Legally Blonde: the Musical” When I walked into Hart House Theatre the other
Interview with David Fallis about the Toronto Consort’s “Schütz’s Christmas Story” concert, featuring English tenor Charles Daniels and performed on Baroque instruments
“The truth is: this generation consumes media so voraciously, if one wants to reach them, a movie is the way to do it. (And, I argue, a movie musical is an even better way.)” Danny Schur on the movie musical STAND!
Nagata Shachu’s 21st season opens with HIBIKI (reverberations) this Saturday, November 30. Our interview with the ensemble’s Artistic Director Kiyoshi Nagata
“It warms my heart and gives me hope for the future of jazz that there are little people out there connecting with this genre at such a young age.” Our interview with Juno-Award winner Diana Panton on her newest release “A Cheerful Little Earful”
“Dave Malloy has created something really special, and I urge you to come travel through time with us!” Our interview with Kira Guloien on Dave Malloy’s gothic song cycle GHOST QUARTET
“Utterly unlike any other musical I have ever seen, GIRL FROM THE NORTH COUNTRY haunts me”. Scott Sneddon on the Conor McPherson’s and Bob Dylan’s musical, receiving its Canadian premiere at Mirvish Productions
The Quotable Sayak’s new artist review: Dacian Miron’s single “Feelin’ Dangerous”
