“Three Sisters” feels important and immediate, and lingers long after the curtain
“The more modern historical context… enormously enriches the narrative and makes Chekhov’s themes resonate deeply.” Review of Inua Ellams’ “Three Sisters”
Theatre
Charlie Petch explains why “No One’s Special at the Hot Dog Cart”
“I started writing the show before the pandemic arrived and with how it’s impacted all of our lives, I feel it’s more important than ever to dispel fear and misunderstanding.” Interview with Charlie Petch
“Dead Elephants” challenges us to become something else
“After this show, you may leave the theatre under your own power . . . but Dead Elephants is coming with you.” Review of Good Old Neon’s “Dead Elephants”
Riotously funny La Bête wraps big questions inside bigger laughs
“Talk is Free Theatre’s La Bête is a crowd-pleasing, riotously funny romp…”
Actor Richard Lam: AI, art and Talk is Free Theatre’s La Bête are “very connected”– and very timely
“It may seem a little odd to look for answers about AI in a story about a 17th century French theatre troupe, but I feel the conversations are very connected!” Interview with Richard Lam
Obdurate and heart-rending, L’Amour Telle une Cathédrale Ensevelie explores the migrant experience
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
Ingrid Hansen’s Epidermis Circus: puppetry that’s more than skin deep
“Hansen’s brainchild Epidermis Circus is… a spicy puppet cabaret.” Interview with Ingrid Hansen
Soulpepper’s “De Profundis” is a testament to Oscar Wilde’s legacy and a masterpiece in its own right
“This new musical fantasy transforms Wilde’s eloquent expression of his harrowing experience into a vivid, emotional journey.” Review of De Profundis: Oscar Wilde in Jail
Genre-defying “Universal Child Care” packs a poignant wallop
“This show succeeds in making you think deeply about this subject.” Review of Universal Child Care
Coal Mine Theatre’s Dion is a rousing new rock opera
“From the start, Dion’s modern reimagining of The Bacchae rivets.” Review of Dion: A Rock Opera
Bard-tender Eric Woolfe mixes hilarity with horror in “Macbeth – A Tale told by an Idiot”
“He brings to the task impressive acting chops and stage presence, plus a versatile toolkit …” Review of Macbeth – A Tale told by an Idiot
Playwright David Yee discusses winning the 2023 Siminovitch Prize
Interview with David Yee, 2023 Siminovitch Prize Laureate