Seana McKenna travels from Stratford to Crow’s – on Bad Roads
“It was the chance to give Ukrainian culture, which faces the threat of erasure, a voice.” Interview with Seana McKenna, Bad Roads
Theatre
Piercing the Prophecy Fog, Jani Lauzon shows us profound clarity and connection
Review of Jani Lauzon’s Prophecy Fog at Coal Mine Theatre
Maev Beaty on love, language and connection in Necessary Angel’s “Letters from Max, a ritual”
Letters from Max, a ritual is “not a eulogy. It is a living friendship, alive in the pages, in the re-telling.” Interview with Maev Beaty
“The Last Strongman” is Mighty Mike’s theatrical feat of strength
“We all have two lives, and the second begins when we realize we only have one.” Interview with “Mighty Mike” Johns
Andrea Donaldson and Nightwood Theatre punch their way into a new era and exciting new space
“We are a company that punches way above our weight.” Interview with Nightwood Theatre AD Andrea Donaldson
(As I watched Cliff Cardinal’s latest show) A Terrible Uncertainty (overcame me)
Review of Cliff Cardina’s (Everyone I love has) A Terrible Fate (befall them)
How playwright Kat Sandler found a Wildwoman (three, actually) beneath a Disney fairytale
Kat Sandler’s Wildwoman proves “how real-life history really is stranger than fiction”.
Keith Brown is Absolute Magic: Come see for yourself
“Normally, the unknown is scary. But rather than fear, magic accesses our sense of wonder,” Keith Brown, Absolute Magic
Ruth Goodwin on the acclaimed and affecting “Heroes of the Fourth Turning”
“I don’t think I’ve ever played someone I disagree with so vehemently before…” Ruth Goodwin, “Heroes of the Fourth Turning”
When he wrote hit “The Master Plan” for Crow’s Theatre, playwright Michael Healey didn’t have one
“I don’t know why, but I had an immediate sense of the story I wanted to tell.” Michael Healey, The Master Plan
Marcus Nance breathes new life into The Creature in “Frankenstein Revived”
“I have been called all sorts of names, and have been in situations where I felt unsafe. I have been hurt in ways that made me lash out….I get it.” Interview with Marcus Nance