“It may seem a little odd to look for answers about AI in a story about a 17th century French theatre troupe, but I feel the conversations are very connected!” Interview with Richard Lam
“This is theatre that does not seek to comfort, but to confront.” Review of L’Amour Telle une Cathédrale Ensevelie
“Hansen’s brainchild Epidermis Circus is… a spicy puppet cabaret.” Interview with Ingrid Hansen
“This new musical fantasy transforms Wilde’s eloquent expression of his harrowing experience into a vivid, emotional journey.” Review of De Profundis: Oscar Wilde in Jail
“This show succeeds in making you think deeply about this subject.” Review of Universal Child Care
“From the start, Dion’s modern reimagining of The Bacchae rivets.” Review of Dion: A Rock Opera
“He brings to the task impressive acting chops and stage presence, plus a versatile toolkit …” Review of Macbeth – A Tale told by an Idiot
Interview with David Yee, 2023 Siminovitch Prize Laureate
“Rockabye is a funny, fast-moving, fast-talking comedy that burrows deeply into the intersection of fame, personal identity, and politics.” Review of Rockabye
“It is so wonderful to be a part of Two Noble Kinsmen’s ensemble.” Interview with Kate Martin
“The actors’ authenticity – and it’s important to note that they are co-authors of the play – brings a palpable sincerity and dignity to the stage.” Review of The Shadow Whose Prey the Hunter Becomes
“It’s a strange, bitter feeling that I, and all immigrants and refugees, have experienced….a not being understood that’s sometimes harder than loneliness.” Interview with Siavash Shabanpour
