Creativity loves constraint: Real Canaan Theatre mounts a sparse, brilliantly modern Merchant of Venice
Review of Real Canaan Theatre’s debut production, The Merchant of Venice at Red Sandcastle Theatre
Review of Real Canaan Theatre’s debut production, The Merchant of Venice at Red Sandcastle Theatre
An epic longform review for an epic double-bill of “Queen Goneril” and “King Lear” at Soulpepper
“I write plays to talk about the way the world is, but I aim to come together and practice, even in small imperfect ways, the way we want the world to be.” Interview with playwright Gillian Clark
“As an actor it’s always been a delight to perform here, so to be invited to direct here has been an absolute dream of an opportunity.” Interview with Anand Rajaram about directing “As You Like It” at Canadian Stage’s Dream in High Park
“As long as the entire GLOBE continues to agree that money is and should be our prime goal…, then this play will continue to speak to audiences for lifetimes to come.” Interview with Amanda Cordner about directing “Get a Dog” at the Toronto Fringe Festival
“I had this idea that I wanted to write a love letter to my youth. For people growing, and mostly stumbling, and discovering themselves at that age.” Interview with Will King about his new play DEAD BROKE, part of the Toronto Fringe Festival
“Ever since I first became aware of the show, Tobias was the character that I felt most connected to, and that remains the same now.” Interview with actor Noah Beemer
“They are survivors: damaged, resilient and beautiful souls whom we root for. Their story of intergenerational trauma proves emotionally harrowing, but unexpectedly redemptive and hopeful…” Scott Sneddon’s review of “Where the Blood Mixes”
Interview with Tamlynn Bryson about her award-winning solo comedy show “Bedwetter”
Interview with Cheri Maracle about “The Friendship Star”, her new musical play for young audiences commissioned by WeeFestival
There will be humour. There will be pathos. There will be complex, recursive interplay among past, present and future….. Oh, and there will be blood.” Scott Sneddon reviews IS GOD IS